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人物的退隐与历史的展开--《霍默与兰利》的新历史主义解读

摘要第6-7页
Abstract第7-8页
Introduction第9-14页
    0.1 Introduction to E.L.Doctorow and Homer and Langley第9-11页
    0.2 Literature Review第11-13页
    0.3 Thesis Statement第13-14页
Chapter One Theoretical Basis第14-20页
    1.1 Origin and Development of New Historicism第14-16页
    1.2 Definition and Characteristics of New Historicism第16-18页
    1.3 Application of New Historicism第18-20页
Chapter Two The Historicity of Text第20-29页
    2.1 The Historical Prototypes of the Brothers第21-23页
    2.2 The Re-creations of the Historical Incident第23-24页
    2.3 The Artistic Treatment of the Incident by E. L. Doctorow第24-29页
        2.3.1 The Change of Lifetime第25页
        2.3.2 The Migration of Location第25-26页
        2.3.3 The Exchange of Identities第26-27页
        2.3.4 The Selection of Angle第27页
        2.3.5 The Shift of Main Emphasis第27页
        2.3.6 Characterization of Nobodies第27页
        2.3.7 Skillful Use of Real Factors第27-28页
        2.3.8 The Open Ending第28-29页
Chapter Three The Textuality of History第29-49页
    3.1 The Intertextuality of Historical Context第30-32页
        3.1.1 The Fuzziness of the Two Brothers’ Prototypes第30页
        3.1.2 The Numerousness of Social Sources第30-31页
        3.1.3 The Aphasia of the Recluses第31-32页
    3.2 The Lowercasing of Big History第32-49页
        3.2.1 The Marginalization of the Two Brothers第32-33页
        3.2.2 The Incompleteness of Homer’s Identity第33页
        3.2.3 The Civilianization of Narrative Standpoint第33-47页
        3.2.4 Microlization of Narrative Mode第47页
        3.2.5 The Individualization of Historical Perspective第47-49页
Chapter Four History and Present第49-62页
    4.1 The Guidance History Given to Modern Society第50-54页
        4.1.1 The Anti-war Thought第50-51页
        4.1.2 The Satire and Criticism of News and Media第51-52页
        4.1.3 Compulsive Hoarding第52-54页
    4.2 Switching Between Present and Past第54-57页
    4.3 The Comment of Voice-over第57-59页
    4.4 The Recurrence of Scene and Locale第59-62页
Chapter Five Subversion, Restraint and Containment of Power第62-76页
    5.1 The Conceptions of Subversion, Restraint and Containment第62页
    5.2 The Embodiment of the Three Conceptions in the Text第62-63页
    5.3 The Concrete Operating Process of the Three Conceptions in the Text第63-76页
        5.3.1 Life Details—The Foreshadowing of Subversion第64-65页
        5.3.2 Weekly Tea Dance—The Positive Subversion to the Society第65-67页
        5.3.3 The Order of Shutters—The Beginning of Negative Subversion第67-68页
        5.3.4 The Association with the Hippies—The Subversion with A Community第68-71页
        5.3.5 The Never-opened Shutters—The Intermediate Phase of the NegativeSubversion第71-73页
        5.3.6 Complete Self-reliance—The Ultimate Subversion第73-76页
Conclusion第76-78页
Works Cited第78-81页
攻读硕士学位期间所发表的学术论文第81-83页
Acknowledgements第83页

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