| DEDICATION | 第3-4页 |
| ACKNOWLEDGEMENTS | 第4-7页 |
| 引言 | 第7-13页 |
| CHAPTER Ⅰ:INTRODUCTION | 第13-21页 |
| CHAPTER Ⅱ:THE ORIGINs OF BEAUTY (MEI美),THE SHAMANIC TRADITION, AND THE BIRTH OF THE RATIONAL SPIRIT | 第21-41页 |
| THE ETYMOLOGICAL DEFINITION OF 美 MEI(BEUTY) | 第21-23页 |
| TRACING THE ROOTS OF THE RITES | 第23-30页 |
| TRANSITION TO A WORLDLY AESTHETICS | 第30-41页 |
| CHAPTER Ⅲ:THE TWO NOTIONS OF BEAUTY IN THE ANALECTS | 第41-51页 |
| CHAPTER Ⅳ:ARTS IN THE ANALECTS | 第51-73页 |
| SHAPING AND MOLDING HUMAN EMOTIONS THROUGH MUSIC | 第51-57页 |
| MUSIC EDUCATION: A COMPARISON BETWEEN CONFUCIUS AND PLATO | 第57-59页 |
| POETRY | 第59-62页 |
| POETRY IS WHERE THE INTENT OF THE HEART GOES | 第62-64页 |
| HARMONIES AND DISSONANCES IN THE UNDERSTANDING OF POETRY BETWEEN CONFUCIUS AND PLATO | 第64-73页 |
| CHAPTER Ⅴ: CONFUCIAN-DAOIST SYNTHESIS | 第73-83页 |
| CHAPTER Ⅵ:CONCLUSION | 第83-89页 |
| APPENDLI A | 第89-93页 |
| REFERENCES | 第93-96页 |
