| ABSTRACT | 第1-5页 |
| 摘要 | 第5-6页 |
| ACKNOWLEDGEMENTS | 第6-11页 |
| INTRODUCTION | 第11-15页 |
| CHAPTER ONE BERGSON'S PHILOSOPHY:A THEORETICAL FRAMEWORK FOR LITERARY ANALYSIS | 第15-19页 |
| ·Introduction to Henri Bergson | 第15-16页 |
| ·Bergson's Theories | 第16-18页 |
| ·Intuition | 第16页 |
| ·Life Impetus | 第16-17页 |
| ·Duree | 第17-18页 |
| ·Bergson's Philosophy as a Theoretical Framework for Literary Analysis | 第18-19页 |
| CHAPTER TWO ART AS A MEANS OF TRANSCENDENCE | 第19-32页 |
| ·Anderson the Novelist's Transcendence | 第19-22页 |
| ·The Incomplete Transcendence of His Grotesques | 第22-32页 |
| ·The Tough Crust of Matter Enveloping the Inner Reality | 第23-28页 |
| ·Concepts Breaking Up the Continuous Flow of Inner Life | 第28-32页 |
| CHAPTER THREE FICTION AS COGNITION THROUGH THE INTUITION | 第32-39页 |
| ·The Narrator's Discovery of a Self | 第33-35页 |
| ·George Willard's Maturing Process as an Artist | 第35-39页 |
| CHAPTER FOUR ANDERSON'S TECHNIQUES IN THE PERSPECTIVE OF BERGSON'S PHILOSOPHY | 第39-49页 |
| ·The Fluid Narrative Structure | 第40-44页 |
| ·Important Moments in the Duree of Life | 第44-46页 |
| ·Language:To Evoke a Sense of Fluid Reality | 第46-49页 |
| CONCLUSION | 第49-52页 |
| NOTES | 第52-53页 |
| WORKS CITED | 第53-56页 |
| 攻读学位期间取得的研究成果 | 第56-57页 |
| 个人简况及联系方式 | 第57-59页 |
