| Acknowledgements | 第1-6页 |
| Chinese Abstract | 第6-9页 |
| Introduction | 第9-15页 |
| 1. Expressionism as an Art Movement | 第9-10页 |
| 2. Anderson the Expressionist Painter | 第10-12页 |
| 3. Winesburg, Ohio and Expressionism | 第12-15页 |
| Chapter One The Expressionist Techniques in Winesburg, Ohio | 第15-27页 |
| 1. The Expressionist Narrative Tools: Word “Colors”and Sentence “Lines” | 第15-19页 |
| 2. The Expressionist Narrative Techniques: Digressions and Plotlessness | 第19-23页 |
| 3. The Expressionist Paintings in Winesburg, Ohio | 第23-27页 |
| Chapter Two The Formation of the Scream: The Dehumanizing Impact of Industrialism | 第27-41页 |
| 1. History in and out of the Text: Industrialism and the Money-worship Spirit | 第27-31页 |
| 2. The Formation of the Grotesques under the Rule of “Truths”of Industrialism | 第31-36页 |
| 3. The Loss of Words Meaning: the Formation of the Scream | 第36-41页 |
| Chapter Three The Intuitive Perception of the Scream: Anderson and Willard as Qualified Scream Listener | 第41-51页 |
| 1. Anderson as a Qualified Listener | 第42-46页 |
| 2. George Willard as a Future Writer and Listener | 第46-51页 |
| Conclusion | 第51-53页 |
| Bibliography | 第53-56页 |
