| 中文摘要 | 第1-4页 |
| Abstract | 第4-8页 |
| Chapter 1 Introduction | 第8-11页 |
| Chapter 2 “Sublime”Foundation of Gothic Architecture and Gothic Novel | 第11-15页 |
| ·Longinus’s Idea of Sublime | 第11-12页 |
| ·Edmund Burke’s Idea of Sublime | 第12-13页 |
| ·Freud’s Idea of Sublime | 第13页 |
| ·Kant’s Idea of Sublime | 第13-15页 |
| Chapter 3 from Gothic Architecture to Gothic Literature | 第15-22页 |
| ·The Origin and Development of Gothic Architecture | 第15-17页 |
| ·The Development of Gothic Novel | 第17-20页 |
| ·Introduction to Wuthering Heights | 第20-22页 |
| Chapter 4 Parallel between Gothic Cathedral & Wuthering Heights | 第22-37页 |
| ·Piers and Flying Buttresses in Gothic Architecture: Hero & Heroine in Gothic Novel | 第22-27页 |
| ·Analogy between Architectural Supports and Characters | 第22-24页 |
| ·“The Supports”of Wuthering Heights: Heathcliff and Catherine | 第24-27页 |
| ·Ribbed Vaults: Plot in Gothic Novel | 第27-31页 |
| ·Analogy between Ribbed Vaults and Plot | 第27-28页 |
| ·“Ribbed Vault”in Wuthering Heights “Cathedral”: Lines of Revenge | 第28-31页 |
| ·Stained Glass Windows: Mysterious Props in Gothic Novel | 第31-37页 |
| ·Analogy between Stained Glass Windows and Mysterious Props | 第31-33页 |
| ·“Stained Glass Windows”in Wuthering Heights: Setting | 第33-37页 |
| Chapter 5 Common Expression in Gothic Architecture and Gothic Novel | 第37-48页 |
| ·Similar Cradling in both Different and Similar Social Backgrounds | 第37-41页 |
| ·The Cradling of Gothic Architecture | 第37-39页 |
| ·The Cradling of Gothic novels | 第39-40页 |
| ·The Cradling of Wuthering Heights | 第40-41页 |
| ·Resonance Hovering between Gothic Architecture & Gothic Literature | 第41-45页 |
| ·Abreaction | 第41-42页 |
| ·Crying for Salvation | 第42-43页 |
| ·Silence—Way Out | 第43-45页 |
| ·Sublime Expression in Gothic | 第45-48页 |
| Chapter 6 Conclusion | 第48-51页 |
| Note | 第51-53页 |
| Bibliography | 第53-57页 |
| Publications during the Postgraduate Program | 第57-58页 |
| Acknowledgements | 第58-59页 |
