| Acknowledgements | 第1-6页 |
| Abstract | 第6-8页 |
| 摘要 | 第8-12页 |
| Introduction | 第12-14页 |
| Chapter One:Anime as Popular Culture in Intercultural Study | 第14-24页 |
| ·Research Background | 第14-21页 |
| ·Legitimacy of Studying Popular Culture as Intercultural Communication | 第14-17页 |
| ·Past Studies on Popular Cultures | 第17-19页 |
| ·Anime as a Form of Popular Culture | 第19-20页 |
| ·Definition of Anime | 第20-21页 |
| ·Research Purpose | 第21-24页 |
| Chapter Two:Globalization,Localization & Hybridization | 第24-38页 |
| ·Globalization Theories from Cultural Perspective | 第24-26页 |
| ·Cultural Differentialism | 第24-25页 |
| ·Cultural Convergence | 第25-26页 |
| ·Localization Theories from Cultural Perspective | 第26-27页 |
| ·Cultural Hybridization | 第27-29页 |
| ·Other Related Theories Used in This Thesis | 第29-38页 |
| ·Hofstede and Bond's Cultural Dimensions | 第29-32页 |
| ·Stream of Consciousness Techniques | 第32-38页 |
| Chapter Three:Hybridized Culture:A Case Study of Only Yesterday | 第38-62页 |
| ·Methodology | 第38-41页 |
| ·Case Study | 第38页 |
| ·Anime-OnlyYesterday | 第38-39页 |
| ·Research Questions | 第39-41页 |
| ·Results & Discussion | 第41-62页 |
| ·Featuring Localization | 第41-45页 |
| ·High Power Distance | 第42-43页 |
| ·High Masculinity | 第43页 |
| ·Confucian Work Dynamics/Long-Term Orientation | 第43-45页 |
| ·Featuring Globalization(Westernization) | 第45-60页 |
| ·Analysis from Content/Culture | 第45-52页 |
| A.Constructing a Heroine with Westernized Ideology | 第45-48页 |
| B.Feminism | 第48-52页 |
| ·Analysis from Form-Adaptation of Western Stream of Consciousness | 第52-60页 |
| A.Use of Time & Space Montage | 第53-55页 |
| B.Use of Free Association and Dreaming | 第55-57页 |
| C.Use of Metaphors | 第57-60页 |
| ·Hybridized Culture | 第60-62页 |
| Conclusion | 第62-65页 |
| ·Summary | 第62-63页 |
| ·Limitations and Implications on Further Study | 第63-65页 |
| References | 第65-68页 |
