| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Content | 第7-9页 |
| Chapter One Introduction | 第9-12页 |
| ·Background and Significance of the Research | 第9-11页 |
| ·Background of the Research | 第9-10页 |
| ·Significance of the Research | 第10-11页 |
| ·Overall Structure of the dissertation | 第11-12页 |
| Chapter Two Theoretical Basis Related To the Present Study | 第12-23页 |
| ·The Cognitive Principle of Figure-ground Theory | 第12-14页 |
| ·Main Study about Figure-ground Relation Reflected in Language | 第14-21页 |
| ·Application of Figure-Ground Relation reflected in Chinese | 第18页 |
| ·Application of Figure-Ground Relation reflected in English | 第18-20页 |
| ·Research about the application of Figure-ground Relation Based on the Bilingual Corpora | 第20-21页 |
| ·The Development of Cognitive Poetics | 第21-23页 |
| Chapter Three Figure-Ground Relation and Artistic Conception in Classical Chinese Poetry | 第23-34页 |
| ·Analysis of figure and ground in classical Chinese poetry | 第23-26页 |
| ·Images and Artistic Conception in Classical Chinese Poetry | 第26-30页 |
| ·Figure-ground Relation and Artistic Conception of Classical Chinese Poetry | 第30-34页 |
| Chapter Four Application of Figure-ground Theory in Understanding the Focus of Attention of the Artistic Conception in CCP | 第34-43页 |
| ·Analysis of the artistic conception of CCP presented by figure-ground's temporal and spatial relation | 第35-39页 |
| ·The artistic conception of CCP presented by figure-ground's temporal relation | 第35-37页 |
| ·The artistic conception of CCP presented by figure-ground's spatial relation | 第37-39页 |
| ·The artistic conception of CCP presented by the figure-ground contrast | 第39-41页 |
| ·The artistic conception of CCP presented by the adjectives | 第41-43页 |
| Chapter Five Conclusion | 第43-46页 |
| ·Major Findings | 第43-45页 |
| ·Limitations and Suggestions for Further Study | 第45-46页 |
| Acknowledgements | 第46-47页 |
| Bibliography | 第47-50页 |
| 附录:攻读硕士期间发表的论文 | 第50页 |
