| 摘要 | 第5-6页 |
| ABSTRACT | 第6-7页 |
| Introduction | 第10-19页 |
| Chapter One Trauma Theory and the Origins of O'Neill's Trauma | 第19-28页 |
| 1.1 The Definition of Trauma and the Development of Trauma Theory | 第19-22页 |
| 1.2 Personal Trauma and Collective Trauma | 第22-24页 |
| 1.3 Family's Disharmony as the Origin of O'Neill's Personal Traumas | 第24-25页 |
| 1.4 Historical Context as the Origin of O'Neill's Collective Traumas | 第25-28页 |
| Chapter Two Personal Traumas and Collective Traumas in Eugene O'Neill's Long Day's Journey into Night | 第28-39页 |
| 2.1 O'Neill's Memories about Personal Traumas | 第28-34页 |
| 2.1.1 Mother's Addiction | 第29-31页 |
| 2.1.2 Father's Stinginess and Irresponsibility | 第31-32页 |
| 2.1.3 Brother's Alcoholism and Cynicism | 第32-34页 |
| 2.2 O'Neill's Memories about Collective Traumas | 第34-39页 |
| 2.2.1 Father as the Victim of Commercialization | 第34-36页 |
| 2.2.2 The Marginalized Tyrones as Irish People | 第36-39页 |
| Chapter Three Symbolic Images of Erasing O'Neill's Traumatic Memories in Long Day's Journey into Night | 第39-46页 |
| 3.1 The Fog Image — Mary's Escape from Reality | 第39-41页 |
| 3.2 The Sea Image — O'Neill's Habitat of Soul | 第41-42页 |
| 3.3 The Alcohol Image — a Method of Self-narcosis for the Three Men | 第42-44页 |
| 3.4 Other Images | 第44-46页 |
| 3.4.1 The Foghorn — Isolation | 第44页 |
| 3.4.2 Mary's Wedding Gown — Youth and Beauty | 第44-45页 |
| 3.4.3 Home — Comfort and Safety | 第45-46页 |
| Chapter Four O'Neill's Tragic Outlook on Life after a Traumatic Journey | 第46-53页 |
| 4.1 The Strong Force of Man's Fate | 第46-49页 |
| 4.1.1 Predestination of Mary's Fate | 第46-48页 |
| 4.1.2 Pipe Dream as a Hopeless Hope for Life | 第48-49页 |
| 4.2 Binary Oppositions of Life | 第49-53页 |
| 4.2.1 Love and Hate | 第49-51页 |
| 4.2.2 Illusion and Reality | 第51-53页 |
| Conclusion | 第53-55页 |
| Works Cited | 第55-58页 |
| 在校期间发表的论文 | 第58-59页 |
| ACKNOWLEDGEMENTS | 第59页 |
