| Acknowledgements | 第4-6页 |
| Abstract | 第6-7页 |
| 摘要 | 第8-10页 |
| Introduction | 第10-13页 |
| Chapter One The imaginary | 第13-17页 |
| Chapter Two The symbolic | 第17-37页 |
| 2.1. The intrusion of the Name-of-the-Father | 第17-26页 |
| 2.1.1. The exploitation of desire by the Name-of-the-Father in Dubliners | 第17-22页 |
| 2.1.2. The intrusion of the Name-of-the-Father in A Portrait | 第22-26页 |
| 2.2 The changed language style | 第26-29页 |
| 2.3 The relationship of self to the surrounding world | 第29-33页 |
| 2.4 The separation of desire from that of the Other | 第33-37页 |
| Chapter Three The Real | 第37-48页 |
| 3.1. Trauma | 第37-40页 |
| 3.2. Jouissance and the death drive | 第40-43页 |
| 3.3. The real being impalpable and unattainable | 第43-44页 |
| 3.4. Art as the way to the real order | 第44-48页 |
| Conclusion | 第48-50页 |
| Works Cited | 第50-51页 |
