| ACKNOWLEDGEMENTS | 第4-5页 |
| 摘要 | 第5-6页 |
| ABSTRACT | 第6页 |
| Chapter One INTRODUCTION | 第9-29页 |
| 1.1 Introduction to the Author and His Works | 第9-13页 |
| 1.2 Introduction to Philida | 第13-14页 |
| 1.3 Literature Review at Home and Abroad | 第14-20页 |
| 1.4 Theoretical Framework | 第20-25页 |
| 1.5 Significance and Structure of the Thesis | 第25-29页 |
| Chapter Two MAGIC WRITING: RE-PRESENTING AND ACCEPTINGTHE REPRESSED PAST | 第29-47页 |
| 2.1 What is African Form of Magic Realism? | 第29-32页 |
| 2.2 History, Identity and African Magic Realism | 第32-39页 |
| 2.3 Re-presentation and Acceptance of the Repressed Past | 第39-47页 |
| 2.3.1 Magic imagery: the co-existence of the living and the dead | 第40-42页 |
| 2.3.2 Magic imagery: the magic little cat Klein Kat | 第42-47页 |
| Chapter Three TRAUMA WRITING: MEMORY AND HEALING OFTRAUMA | 第47-67页 |
| 3.1 Racial Trauma: South African Blacks' Collective Memory | 第49-55页 |
| 3.2 Female Individual Trauma: Philida's Body as a Living Memorial Site | 第55-60页 |
| 3.3 Trauma-healing: The Healing Power of TRC and Philida's Self-storytelling .. 52 | 第60-67页 |
| Chapter Four RESISTANCE WRITING: POLITICAL IMPLICATIONSIN DAILY LIFE | 第67-89页 |
| 4.1 Against the Oppressive Rule of White Masters | 第69-76页 |
| 4.2 Against the Oppressive Rule of Men | 第76-81页 |
| 4.3 A Mode of Resistance for Reconciliation | 第81-89页 |
| 4.3.1 Philida's everyday resistance: anti-dichotomy | 第82-86页 |
| 4.3.2 Philida's everyday resistance: anti-violence | 第86-89页 |
| Chapter Five CONCLUSION | 第89-93页 |
| WORKS CITED | 第93-101页 |
| 附录： 作者在攻读硕士学位期间发表的论文 | 第101页 |
