| 摘要 | 第4-5页 |
| ABSTRACT | 第5-6页 |
| 目录 | 第7-9页 |
| Introduction | 第9-14页 |
| 0.1 An Introduction of Alice Walker and Her Novels | 第9-10页 |
| 0.2 An Introduction of Steven Spielberg and His Films | 第10-11页 |
| 0.3 Literature Review | 第11-14页 |
| 0.3.1 The Study of The Color Purple at Home | 第11-12页 |
| 0.3.2 The Study of The Color Purple Abroad | 第12-14页 |
| Chapter One Theoretical Basis | 第14-19页 |
| 1.1 The Definition and its Development of Feminism and Womanism | 第14-17页 |
| 1.1.1 The Definition and its Development of Feminism | 第14-16页 |
| 1.1.2 The Definition and its Development of Womanism | 第16-17页 |
| 1.2 The Relation between Feminism and Womanism | 第17-19页 |
| Chapter TWO The Consistency of the Novel and its Movie Adaptation | 第19-30页 |
| 2.1 Criticism on the Patriarchal Black Community | 第20-22页 |
| 2.2 Criticism on the Racial Discrimination | 第22-26页 |
| 2.3 Treasuring Black People's Heritage | 第26-30页 |
| 2.3.1 Blues | 第26-28页 |
| 2.3.2 Patchwork Quilt-Making | 第28-30页 |
| Chapter Three The Variation of the Movie to the Original Book | 第30-39页 |
| 3.1 The Different Ideas toward Christianity | 第30-34页 |
| 3.1.1 Celie's Notion of God | 第31-32页 |
| 3.1.2 Pantheism as a New Solution | 第32-34页 |
| 3.1.3 Disillusionment of the Missionary | 第34页 |
| 3.2 The Segregation of the Females from Males | 第34-37页 |
| 3.2.1 The Reconciliation in the Novel | 第35-36页 |
| 3.2.2 The Segregation in the Movie | 第36-37页 |
| 3.3 The Weakening of Racism | 第37-39页 |
| 3.3.1 The Lynch of Celie's Natural Father | 第37-38页 |
| 3.3.2 The Trauma of Sofia | 第38-39页 |
| Chapter Four The Reasons of Adaptation | 第39-47页 |
| 4.1 The Historical Background | 第39-41页 |
| 4.2 The Director:s Ideological Impact on the Adaptation | 第41-43页 |
| 4.3 The Distinctive Artistic Techniques | 第43-45页 |
| 4.4 The Intentions of the Film-making | 第45-47页 |
| Conclusion | 第47-50页 |
| Bibliography | 第50-53页 |
| ACKNOWLEDGEMENTS | 第53-54页 |
| 作者攻读学位期间发表的学术论文目录 | 第54页 |
