| 摘要 | 第3-4页 |
| ABSTRACT | 第4页 |
| Introduction | 第8-19页 |
| Marianne Moore and Her Works | 第8-10页 |
| Literature Review | 第10-13页 |
| Ihab Hassan's Theory of Postmodernism | 第13-17页 |
| Thesis Structure | 第17-19页 |
| Chapter Ⅰ The Formation of Marianne Moore' s Postmodern Conciousness | 第19-33页 |
| 1.1 Moore's Decentering Attitude Toward Poetic Creation | 第19-24页 |
| 1.1.1 Deconstructing European Poetic Tradition | 第20-22页 |
| 1.1.2 Embracing Fragmentation | 第22-24页 |
| 1.2 Moore's Pluralistic Identity | 第24-33页 |
| 1.2.1 Irish by Descent: Sojourn in the Whale | 第25-28页 |
| 1.2.2 A Literary Bachelor: Liberty and Union | 第28-30页 |
| 1.2.3 An Imaginary Poet and a Nature Observer: Imaginary Gardens with Real Toads | 第30-33页 |
| Chapter Ⅱ Indeterminacy in Marianne Moore's Poetry | 第33-46页 |
| 2.1 Indeterminacy in Themes | 第33-38页 |
| 2.1.1 Marriage:The Problem of Marriage; Men and Women; Passion | 第34-36页 |
| 2.1.2 The Fish: The Power of Sea and Endurance | 第36-37页 |
| 2.1.3 A Grave:The sea; Man and the Problem of Seeing | 第37-38页 |
| 2.2 Indeterminacy in Images | 第38-46页 |
| 2.2.1 New York City:Open Space; Paradise for Adventurers and Evil Land | 第39-42页 |
| 2.2.2 Armored Animals:Artist, Defender and Altruist | 第42-44页 |
| 2.2.3 Sea: Life, Death and Power | 第44-46页 |
| Chapter Ⅲ Immanence in Marianne Moore's Poetry | 第46-53页 |
| 3.1 Disassembly and Reassembly of Lines | 第47-48页 |
| 3.2 Conversational Style | 第48-50页 |
| 3.3 Discontinuous Space-time Structure | 第50-53页 |
| Conclusion | 第53-55页 |
| Works Cited | 第55-58页 |
| Acknowledgements | 第58页 |
