Abstract (in English) | 第1-10页 |
Abstract (in Chinese) | 第10-12页 |
Introduction | 第12-19页 |
1. Kurt Vonnegut and His Works | 第12-14页 |
2. A Review of Major Criticism on Kurt Vonnegut and His Two Novels | 第14-17页 |
3. The Aim and Significance of the Thesis | 第17-19页 |
Chapter One Some Theories Concerning Kurt Vonnegut's Works | 第19-26页 |
·Postmodernist Fiction | 第19-20页 |
·Metafiction | 第20-24页 |
·Definition | 第21-22页 |
·Metafictional Techniques | 第22-24页 |
·Historiographic Metafiction | 第24-26页 |
Chapter Two The Metafictional Techniques Shared in Both Novels | 第26-45页 |
·Allusion | 第27-31页 |
·Allusion to The Pilgrim's Progress | 第28-30页 |
·Allusion to Odyssey | 第30页 |
·Allusion to Divine Comedy | 第30-31页 |
·Third-person/First-person Intrusion Narratives | 第31-39页 |
·Lay Bare the Novel Writing Process and Author's Criticism | 第32-34页 |
·The Author as a Character in the Novel | 第34-37页 |
·The Author is Fictionalized------Reader's Participation | 第37-39页 |
·Mise En Abyme | 第39-45页 |
·The Story Level of Mise En Abyme | 第39-41页 |
·The Style Level of Mise En Abyme | 第41-42页 |
·The Narration Level of Mise En Abyme | 第42-45页 |
Chapter Three The Metafictional Techniques Employed in Slaughterhouse-Five | 第45-59页 |
·Montage | 第45-48页 |
·Parody | 第48-59页 |
·Parody of Jesus Christ | 第48-52页 |
·Parody of Garden of Eden | 第52-55页 |
·Parody of Official Historical Writing | 第55-56页 |
·Parody of Official Historians | 第56-57页 |
·Parody of Official Historical Documents | 第57-59页 |
Chapter Four The Metafictional Techniques Employed in Breakfast of Champions | 第59-67页 |
·Metafictional Collage | 第60-64页 |
·121 Illustrations Drawn by the Author | 第60-62页 |
·Collage of Different Handwritings, Literary Genres, Signs and Arrangements of Printed Forms | 第62-63页 |
·Self-coined Words and Meanings | 第63页 |
·Collage of Erotic Details | 第63-64页 |
·Citation before the Preface | 第64页 |
·Open Ending | 第64-67页 |
Conclusion | 第67-69页 |
Notes | 第69-74页 |
Bibliography | 第74-77页 |