| 摘要 | 第1-5页 |
| Abstract | 第5-9页 |
| Introduction | 第9-18页 |
| Chapter 1 The Artistic Style and Writing Skills of Hemingway's Short Stories. | 第18-25页 |
| ·Iceberg Theory and Omission Art | 第18-20页 |
| ·Focus of Narration | 第20-21页 |
| ·Objective Narrative Way | 第21-22页 |
| ·Telegraphie Dialogue | 第22-25页 |
| Chapter 2 Hemingway's Creative Intention of Short Stories | 第25-28页 |
| ·Hemingway's Understanding of Truth and Omission | 第25-26页 |
| ·The Influence of Hemingway's Personal Experience on His Writing | 第26-28页 |
| Chapter 3 The Multi-dimensional Themes of Hemingway's Short Stories | 第28-44页 |
| ·Themes of "Hills like White Elephants" | 第28-35页 |
| ·Theme One: Construction, Destruction and Disillusion of the Dreams | 第29-32页 |
| ·Theme Two: Spirit Barrenness and Confusion of the Lost Generation 23 3.1.3 Theme Three: Gap in the Communication between Male and Female | 第32-35页 |
| ·Themes of "The Killers" | 第35-41页 |
| ·Theme One: Violence and Death | 第36-38页 |
| ·Theme Two: The Alienation of Man | 第38-40页 |
| ·Theme Three: The Discovery of Evil | 第40-41页 |
| ·Themes of "The Short Happy Life of Francis Macomber" | 第41-44页 |
| ·Theme One: Loss of Masculinity | 第41-42页 |
| ·Theme Two: Pursuit of Dignity | 第42页 |
| ·Theme Three: Intentional Killing? | 第42-44页 |
| Conclusion | 第44-45页 |
| Bibliography | 第45-48页 |
| Acknowledgement | 第48页 |
