| 摘要 | 第4-5页 |
| Abstract | 第5页 |
| Introduction | 第8-21页 |
| 1. Alasdair Gray and Poor Things | 第8-11页 |
| 2. Literature Review | 第11-21页 |
| Chapter One Negative Constraints that Cause the Escape | 第21-31页 |
| 1.1. Baxter: Escape from the Morbid Social Mainstream | 第21-24页 |
| 1.2. Victoria: Escape from the Patriarchal Oppression | 第24-27页 |
| 1.3. Bella: Escape from the Self-confusion | 第27-28页 |
| 1.4. Scotland: Escape from English Oppression | 第28-31页 |
| Chapter Two Positive Efforts in Targeting a Successful Escape | 第31-48页 |
| 2.1. Space Movement—A Silent Protest Against the Odds | 第31-34页 |
| 2.2. Spiritual Creation—An Active Construction of the Inner World | 第34-38页 |
| 2.3. Middle Landscape—The Best Escape Distance | 第38-43页 |
| 2.4. Gray's Blueprint for Scotland | 第43-48页 |
| Chapter Three Gray's Writing Styles in Showing the Escape Consciousness | 第48-64页 |
| 3.1. Gothic Fantasy—Setting off the Escape Atmosphere | 第48-52页 |
| 3.2. Nonlinear Narrative—Revealing the Complex Escape mind | 第52-60页 |
| 3.3. Language, Typography, and Illustration Art—Strengthening the Escape Consciousness | 第60-64页 |
| Conclusion | 第64-67页 |
| Bibliography | 第67-71页 |
| Acknowledgements | 第71页 |
