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哈罗德·品特戏剧中沉默手法的语篇分析--以《山地语言》和《归于尘土》为例

ACKNOWLEDGEMENTS第6-7页
摘要第7-8页
Abstract第8页
Chapter One Introduction第11-15页
    1.1 Background of the Study第11-12页
    1.2 Reasons for Choosing These Two Plays as Research Objects第12-13页
    1.3 Significance and Objectives of the Study第13-14页
    1.4 Methodology of the Study第14页
    1.5 Organization of the Study第14-15页
Chapter Two Literature Review第15-21页
    2.1 A Brief Introduction to Harold Pinter第15-16页
    2.2 Previous Studies on Silences in Pinter’s Plays Abroad第16-18页
    2.3 Previous Studies on Silences in Pinter’s Plays at Home第18-20页
    2.4 Summary第20-21页
Chapter Three Theoretical Frameworks第21-27页
    3.1 Pragmatic Act Theory第21-22页
        3.1.1 Advantages to traditional Speech Act Theory第21页
        3.1.2 Pragmeme, pract and allopract第21-22页
    3.2 Pragmatic Ambivalence第22-24页
        3.2.1 Pragmatic bivalence and conditional bivalent illocutionary act第23-24页
        3.2.2 Discoursal ambivalence第24页
    3.3 Turn-Taking Analysis第24-26页
        3.3.1 Turn-allocation component第25页
        3.3.2 Turn-taking strategies第25-26页
    3.4 Summary第26-27页
Chapter Four Discourse Analysis of Silences in Mountain Language and Ashes to Ashes第27-70页
    4.1 Functions of Silences from the Perspective of Pragmatic Act Theory第27-46页
        4.1.1 Silences as psychological acts第27-33页
        4.1.2 Silences as intentional acts第33-36页
        4.1.3 Silences as poetic acts第36-39页
        4.1.4 Silences as indirect speech acts第39-40页
        4.1.5 Silences as thematic acts第40-41页
        4.1.6 Silences as dramatic acts第41-44页
        4.1.7 Summary第44-46页
    4.2 Functions of Silences from the Perspective of Pragmatic Ambivalence第46-59页
        4.2.1 Silences within pragmatic bivalence第46-52页
        4.2.2 Silences within discoursal ambivalence第52-55页
        4.2.3 Silences within conditional bivalent illocutionary act第55-59页
        4.2.4 Summary第59页
    4.3 Functions of Silences from the Perspective of Turn-Taking第59-70页
        4.3.1 Silences in revealing power relationship第59-64页
        4.3.2 Silences in demonstrating characters’ traits第64-66页
        4.3.3 Silences in exploring plot development第66-69页
        4.3.4 Summary第69-70页
Chapter Five Conclusion第70-73页
    5.1 Summary of the Major Findings第70-71页
    5.2 Theoretical and Practical Implications of the Study第71-72页
    5.3 Limitations and Suggestions第72-73页
References第73-80页
Appendices第80-103页
    Appendix A: Mountain Language第80-87页
    Appendix B: Ashes to Ashes第87-103页

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