| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Chapter One Introduction | 第8-19页 |
| ·Academic Background | 第8-11页 |
| ·Ambivalence and its Implication | 第11-12页 |
| ·Literature Review | 第12-15页 |
| ·Research Methods | 第15-16页 |
| ·Chapter Synopses | 第16-19页 |
| Chapter Two Ambivalences in Mother-Daughter Relations | 第19-43页 |
| ·Ambivalences in Feminism | 第19-27页 |
| ·Mainstream Feminism and Postcolonial Feminism | 第19-22页 |
| ·Ambivalent Feminism in The Woman Warrior | 第22-27页 |
| ·The Ambivalent Mother-Daughter Relations | 第27-40页 |
| ·The Beloved: No Name Woman and Her Daughter | 第29-31页 |
| ·Another “No Name Woman”: Moon Orchid and Her Daughter | 第31-33页 |
| ·American Dream and Chinese Dream: Maxine and Brave Orchid | 第33-38页 |
| ·The Poetic Conversation: Ts’ai Yen and Her Kids | 第38-40页 |
| ·Racial Hatred and Domestic Conflicts | 第40-43页 |
| Chapter Three The “I”: Ambivalences in Subjectivity | 第43-60页 |
| ·The Oppressed Subjectivity: Who is the “I”? | 第46-49页 |
| ·The Diasporic Subjectivity: What is the “I”? | 第49-53页 |
| ·The Hybridized Subjectivity: How Does the “I”Forge? | 第53-60页 |
| ·Other–I–other Relations | 第54-56页 |
| ·The Hybridized “I” | 第56-60页 |
| Chapter Four Ambivalences in Representation | 第60-72页 |
| ·Representation and its Implication | 第60-62页 |
| ·Appropriating Chinese Myths | 第62-67页 |
| ·Cultural Autonomy | 第67-72页 |
| Chapter Five Conclusion | 第72-75页 |
| Bibliography | 第75-78页 |
| 攻读博士/硕士学位期间取得的研究成果 | 第78-79页 |
| Acknowledgements | 第79-80页 |
| 附件 | 第80页 |
