| 中文摘要 | 第5-6页 |
| 英文摘要 | 第6-7页 |
| Acknowledgements | 第8-10页 |
| Introduction | 第10-15页 |
| Chapter One Travesties:The Artist Confused by Politics | 第15-28页 |
| 1.1 Historical Background:the Implicated Conflict Between the Left and the Right | 第15-19页 |
| 1.2 The Artists' and the Artistic Debates in WWI Zurich | 第19-23页 |
| 1.3 The Allegory of Art and Politics | 第23-28页 |
| Chapter Two Arcadia:The Artist Overwhelmed by Science | 第28-38页 |
| 2.1 Contemporary Historical Background:the Tension Between Modernism and Postmodernism | 第29-31页 |
| 2.2 The Deducted Art and the "Uncomputable" Science | 第31-34页 |
| 2.3 The Allegory of Art and Science | 第34-38页 |
| Chapter Three The Invention of love:The Artist Constrained inSocial Norms | 第38-48页 |
| 3.1 Contemporary Historical Background:the Rise of Homosexual Rights Movement | 第39-40页 |
| 3.2 The Artistic Passion Prohibited by the Society | 第40-44页 |
| 3.3 The Allegory of Art and Social Norms | 第44-48页 |
| Conclusion | 第48-51页 |
| Works Cited | 第51-55页 |
