| 摘要 | 第1-5页 |
| Abstract | 第5-7页 |
| Contents | 第7-9页 |
| Chapter 1 Introduction | 第9-18页 |
| ·Angela Carter and Her Works | 第9-12页 |
| ·Literature Review | 第12-16页 |
| ·Overseas Research Status | 第12-15页 |
| ·Domestic Research Status | 第15-16页 |
| ·Angela Carter and Queer Theory | 第16-18页 |
| Chapter 2 Queer Theory | 第18-29页 |
| ·The Modern Background of Queer Theory | 第19-23页 |
| ·The Emergence of Feminist Literary Criticism | 第19-20页 |
| ·Michel Foucault and Discourse Space Theory | 第20-21页 |
| ·Jacques Derrida and the Deconstruction of Logocentrism | 第21-22页 |
| ·Jacques Lacan and the Three Orders | 第22-23页 |
| ·The Major Points of Queer Theory | 第23-29页 |
| ·Queer Theory and Heterosexuality & Homosexuality | 第24-25页 |
| ·Queer Theory and Androgyny | 第25-27页 |
| ·Queer Theory and Gender Performativity | 第27-29页 |
| Chapter 3 Rebellion Against Dichotomy of Gender | 第29-36页 |
| ·Evelyn and Leilah: the Androcentric Heterosexuality | 第29-32页 |
| ·The Twisted Monistic World | 第32-36页 |
| ·“Mother” and Her Female Utopia | 第32-33页 |
| ·Zero and His Patriarchy Kingdom | 第33-36页 |
| Chapter 4 Fluid Gender in The Passion of New Eve | 第36-44页 |
| ·The Performativity in New Eve | 第36-39页 |
| ·The Drag Performance of Tristessa | 第39-41页 |
| ·New Eve and Tristessa: Harmonious Androgynes | 第41-44页 |
| Chapter 5 Conclusion | 第44-46页 |
| ·Major Findings | 第44-45页 |
| ·Limitations of the Present Study | 第45-46页 |
| Bibliography | 第46-50页 |
| Papers Published During the Study for M. A. Degree | 第50-51页 |
| Acknowledgements | 第51-52页 |
