| Abstract | 第1-7页 |
| 摘要 | 第7-9页 |
| Introduction | 第9-19页 |
| A. Brian Castro’s life and works | 第9-11页 |
| B. About The Bath Fugues and literature review | 第11-16页 |
| C. About deconstructive analysis and repeated views | 第16-18页 |
| D. The layout of the thesis | 第18-19页 |
| Chapter Ⅰ Subversion of Logocentrism | 第19-30页 |
| A.Deconstruction of binary oppositions | 第20-25页 |
| B. Representation of marginalized people | 第25-27页 |
| C. Demonstration of fragmented plot | 第27-30页 |
| Chapter Ⅱ Recurrent Images | 第30-42页 |
| A. Symbolic significance of number “ three” | 第32-34页 |
| B. Reiterated description of characters--- counterfeiters and fugueurs | 第34-38页 |
| C. Recurring appearance of objects---baths and bicycles | 第38-42页 |
| Chapter Ⅲ Profound Meaning Behind Reconstruction | 第42-51页 |
| A. Reconstruction of melancholy and vulnerability | 第43-46页 |
| B. The positive power of melancholy and vulnerability | 第46-48页 |
| C. Siver lining behind setbacks | 第48-51页 |
| Conclusion | 第51-53页 |
| Notes | 第53-55页 |
| Bibliography | 第55-58页 |
| Acknowledgments | 第58-59页 |
| Academic Achievements | 第59页 |
