| Acknowledgement | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-9页 |
| Introduction | 第9-14页 |
| Chapter One The Author and His Works | 第14-21页 |
| ·Biographical and critic contexts of Hanif Kureishi’s works | 第14-19页 |
| ·Literature Review | 第19-21页 |
| Chapter Two The Concept of Identity and Guiding Theories | 第21-32页 |
| ·The concept of Identity | 第21-24页 |
| ·Guiding Theories | 第24-32页 |
| Chapter Three Ethnicity, Class and Gender Identity in Kureishi’s Works | 第32-53页 |
| ·Class Identity | 第33-37页 |
| ·Lower Middle Class and Suburbia | 第33-35页 |
| ·London as a Broad Stage for Karim to Construct His Identity | 第35-37页 |
| ·Gender Identity | 第37-42页 |
| ·Ambiguous Gender and Sexuality | 第37-38页 |
| ·Pop Culture in Kureishi’s Works | 第38-42页 |
| ·Racialized Identity | 第42-47页 |
| ·Surges of Immigration | 第42-44页 |
| ·Minority Ethnicity in Britain | 第44-45页 |
| ·Racism in Contemporary Britain | 第45页 |
| ·Racism in Buddha | 第45-47页 |
| ·National Identity | 第47-53页 |
| ·British National Identity | 第47-49页 |
| ·Kureishi’s Britishness | 第49-50页 |
| ·National Identity in Buddha and Black Album | 第50-53页 |
| Chapter Four Differences of Identity Construction between First and Second Generation Immigrants | 第53-67页 |
| ·The Second Generation Immigrant’s Hybridized Identity | 第53-58页 |
| ·Karim: Entering the Third Space | 第54-55页 |
| ·Acting as a Way to Construct Identity | 第55-56页 |
| ·The Responses to Karim’s Acting | 第56-58页 |
| ·The First Generation Immigrants’ Adaptation to the Host Country | 第58-65页 |
| ·Haroon’s persona as the Buddha of Suburbia | 第58-62页 |
| ·Anwar’s Imagined Home | 第62-64页 |
| ·Comparison between Anwar and Haroon | 第64-65页 |
| ·Comparison between the First and the Second Generation Immigrants | 第65-67页 |
| Conclusion | 第67-72页 |
| References | 第72-78页 |
