| Acknowledgements | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-8页 |
| Introduction | 第8-11页 |
| Chapter One Aristotle's and Aquinas' Aesthetics and Joyce's Attitudes | 第11-18页 |
| ·Contemplation in Aristotle's and Aquinas' Aesthetics | 第11-14页 |
| ·Aristotle's Emphasis on Completeness and Aquinas' Three Principles of Beauty | 第14-15页 |
| ·Aristotle's theory of Tragedy and Purification | 第15-16页 |
| ·Joyce's Stronger Interest in Applying Aesthetics than in Studying It | 第16-17页 |
| ·Mingled Practice of Joyce's Aesthetics in Dubliners | 第17-18页 |
| Chapter Two Joyce's Aesthetics Revealed in His Emotion Method in Dubliners | 第18-27页 |
| ·Difference beween Aristotle's Theory of Immitation and Joyce's Theory of Representation | 第18-20页 |
| ·Emotion Method as the Basic Writing Method to Stimulate Contemplation | 第20-22页 |
| ·Emotion Method Being Everywhere in Dubliners | 第22-25页 |
| ·Emotion Method Manifested in Epiphany | 第25-27页 |
| Chapter Three The Aesthetic Effects of Elusive Endings in Dubliners | 第27-34页 |
| ·Elusive Endings Characterizing Dubliners | 第27-28页 |
| ·Elusive Endings Representing the Reality | 第28-30页 |
| ·Elusive Endings Aimed to Stimulate Contemplation | 第30-31页 |
| ·Elusive Endings Due to the Static Emotion Required by Tragedy | 第31-34页 |
| Chapter Four Joyce's Scenic Treatment in Dubliners | 第34-43页 |
| ·Joyce's Interest in Scenic Arts | 第34-35页 |
| ·Basic Traits of Joyce's Scenic Treatment in Dubliners | 第35-36页 |
| ·Joyce's Interpretation of Aquinas' Three Principles of Beauty | 第36-39页 |
| ·Joyce's Understanding of Aquinas' Principles of Beauty Revealed in His Scenic Treatment | 第39-41页 |
| ·Temporal Erosion and Expansion | 第41-43页 |
| Chapter Five Tragedy in Dubliners | 第43-47页 |
| ·Dubliners Meeting Aristotle's Criteria about Tragedy | 第43-44页 |
| ·Dubliners Arousing Pity and Fear from Readers | 第44-46页 |
| ·Aesthetic Effects of Tragedy Strengthened by the Structure of the Fifteen Stories | 第46-47页 |
| Conclusion | 第47-51页 |
| Bibliography | 第51-52页 |
