| Acknowledgements | 第1-5页 |
| Abstract | 第5-7页 |
| 摘要 | 第7-9页 |
| Contents | 第9-11页 |
| Chapter One Introduction | 第11-20页 |
| ·Hardy and His Works | 第11-12页 |
| ·A Brief Introduction of "Enter a Dragoon" | 第12-13页 |
| ·Literature Review | 第13-15页 |
| ·Methodology: Intertextuality | 第15-17页 |
| ·Thesis, Originality, Significance and Framework | 第17-20页 |
| Chapter Two Intertextuality in the Theme of "Enter a Dragoon" with Tess of the d'Urbervilles as an Intertext | 第20-29页 |
| ·Similar Theme of Tragedy | 第20-24页 |
| ·Selina's tragedy resembling Tess's | 第20-22页 |
| ·Hardy's fatalism | 第22-24页 |
| ·Similar Theme of Love and Marriage | 第24-29页 |
| ·Victorian expectation of marriage | 第25-26页 |
| ·Victims of the Victorian double morality | 第26-29页 |
| Chapter Three Intertextuality in the Structure of "Enter a Dragoon" with Tess of the d'Urbervilles as an Intertext | 第29-35页 |
| ·Similar Storyline | 第29-33页 |
| ·Parallel Triangular Relationship | 第33-35页 |
| Chapter Four Intertextuality in the Characters of "Enter a Dragoon" with Tess of the d'Urbervilles as an Intertext | 第35-49页 |
| ·Selina and Tess | 第35-41页 |
| ·Similar background | 第35-36页 |
| ·Same earnest pursuit of true love | 第36-38页 |
| ·Analogous confession and revelation | 第38-40页 |
| ·Resembling entrappment in Victorian tradition | 第40-41页 |
| ·John and Angel | 第41-45页 |
| ·Identical youthful experience | 第42页 |
| ·Equal men's licentiousness | 第42-43页 |
| ·Parallel exile and return | 第43-45页 |
| ·Bartholomew and Alec | 第45-49页 |
| ·Similar family constitution | 第45页 |
| ·Both taking advantage of the heroine's plight | 第45-47页 |
| ·Neither love for love's sake | 第47-49页 |
| Chapter Five The Textual Meaning of "Enter a Dragoon" with Tess of the d'Urbervilles as an Intertext | 第49-56页 |
| ·The Textual Meaning of "Enter a Dragoon" from the Intertextual Perspective | 第49-50页 |
| ·Repetition and Subversion | 第50-53页 |
| ·The Development of Feminist Ideas | 第53-56页 |
| Chapter Six Conclusion | 第56-58页 |
| Works Cited | 第58-60页 |
| Appendix: Publications | 第60页 |
