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空间批评视角下《青年艺术家的肖像》中的自我流亡解读

摘要第3-4页
Abstract第4页
Introduction第7-11页
Chapter One An Overview of Spatial Criticism第11-19页
    1.1 The Traditional Concept of Space第11-12页
    1.2 The Social Orientation of Space第12-15页
    1.3 The Cultural Orientation of Space第15-16页
    1.4 Later Developments of Spatial Theories第16-19页
Chapter Two The Depression of Social Spaces: Root of Self-exile第19-33页
    2.1 The Alienation of Social Relations第19-24页
        2.1.1 The Alienation of Relations at Home第19-22页
        2.1.2 The Alienation of Relations on Campus第22-24页
    2.2 The Oppression of Social Power第24-29页
        2.2.1 Household: The Epitome of Irish Society第25-26页
        2.2.2 Jesuit School: The Cage of Spiritual Torment第26-29页
    2.3 The Loss of Religious Belief第29-33页
Chapter Three The Metaphor of Landscape Spaces: Catalyst for Self-exile第33-41页
    3.1 The Metaphor of Natural Landscape第33-36页
        3.1.1 The Metaphor of Water第33-35页
        3.1.2 The Metaphor of Birds第35-36页
    3.2 The Metaphor of Urban Landscape第36-41页
Chapter Four The Shift of Stephen’s Individual Spaces: Premise of Self-exile第41-50页
    4.1 The Sensitivity as a Child第41-43页
    4.2 The Rebellion as an Adolescent第43-45页
    4.3 The Failed Redemption as a Catholic第45-47页
    4.4 The Self-exile as an Artist第47-50页
Conclusion第50-52页
Works Cited第52-56页
Achievements第56-57页
Acknowledgements第57-58页

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