| Acknowledgements | 第5-6页 |
| 摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| Chapter 1 Introduction | 第12-21页 |
| 1.1 Introduction to Lauren Weisberger and The Devil Wears Prada | 第12-13页 |
| 1.2 Literature Review | 第13-15页 |
| 1.3 Related Theories | 第15-19页 |
| 1.3.1 Introduction to Theories on Consumerism | 第16-17页 |
| 1.3.2 Introduction to the Spatial Thinking of Lefebvre | 第17-19页 |
| 1.4 Thesis Statement and Structure | 第19-21页 |
| Chapter 2 Consumerism in Physical Space | 第21-34页 |
| 2.1 The Decoration,Outfits and Equipments in Runway | 第22-27页 |
| 2.1.1 The Decoration in Runway Office | 第22-25页 |
| 2.1.2 The Outfits and Equipments in Runway Office | 第25-27页 |
| 2.2 Fabulous Parties | 第27-32页 |
| 2.2.1 Andrea's First Party in Runway | 第27-29页 |
| 2.2.2 Miranda's Party | 第29-30页 |
| 2.2.3 Party in Paris Fashion Show | 第30-32页 |
| 2.3 Paradise of Happiness Represented by Miranda's Houses | 第32-34页 |
| Chapter 3 Consumerism in Social Space | 第34-49页 |
| 3.1 Class Division in Fashion Industry | 第36-37页 |
| 3.2 Runway's VIP Status in Fashion Industry | 第37-41页 |
| 3.2.1 The Benefit for Runway's Staff | 第37-39页 |
| 3.2.2 The VIP Treatments for Runway's Chief Editor,Miranda Priestly | 第39-41页 |
| 3.3 Social Connection and Recognition Through Parties | 第41-49页 |
| 3.3.1 Power Wielding from Miranda | 第42-43页 |
| 3.3.2 Andrea's Socail Interaction in Her First Party in Runwary | 第43-45页 |
| 3.3.3 Social Recognition from Party in Paris Fashion Show | 第45-49页 |
| Chapter 4 Consumerism in the Space of the Body | 第49-61页 |
| 4.1 The Monitoring to Miranda | 第51-54页 |
| 4.2 The Monitoring to Runway's Staff | 第54-58页 |
| 4.3 The Monitoring from the Fans to the Models | 第58-61页 |
| Chapter 5 Conclusion | 第61-63页 |
| Bibliography | 第63-66页 |
| Papers Published During the Study for M.A.Degree | 第66页 |
