| Acknowledgements | 第1-6页 |
| 摘要 | 第6-7页 |
| Abstract | 第7-10页 |
| Chapter 1 Introduction | 第10-19页 |
| ·Virginia Woolf and Her Works | 第10-12页 |
| ·Literature Review of The Waves | 第12-15页 |
| ·The Emergence of the New Novel Form | 第15-19页 |
| Chapter 2 The Alternate Employment of Focalization in The Waves | 第19-26页 |
| ·The Definition of Narrative Focalization | 第20-21页 |
| ·Unique Internal Focalization in the Novel | 第21-26页 |
| ·Multiple Internal Focalizations | 第21-23页 |
| ·Fixed Internal Focalization | 第23-26页 |
| Chapter 3 The Poeticized Features in The Waves | 第26-55页 |
| ·Symbolism | 第26-40页 |
| ·Symbolic Connotations in the Interlude | 第27-31页 |
| ·Symbolic Meanings of the Characters | 第31-40页 |
| ·Musical Lyricism | 第40-49页 |
| ·An Application of Various Musical Forms in the Novel | 第42-46页 |
| ·Leitmotif Employed in the Novel | 第46-49页 |
| ·Rhythm and Rhyme | 第49-55页 |
| Chapter 4 The Features of Impressionist and Post-Impressionist Painting | 第55-66页 |
| ·Color | 第56-60页 |
| ·Transient Instants | 第60-62页 |
| ·Simplification Principle | 第62-66页 |
| Chapter 5 Conclusion | 第66-69页 |
| Works Cited | 第69-72页 |
| 攻读硕士学位期间发表的论文和取得的科研成果 | 第72页 |
