| Acknowledgements | 第1-5页 |
| Abstract(Chinese) | 第5-7页 |
| Abstract(English) | 第7-11页 |
| Ⅰ. Introduction | 第11-17页 |
| A. Julian Barnes | 第11-15页 |
| 1. Julian Barnes：The Man | 第11-13页 |
| 2. Julian Barnes: The Writer | 第13-15页 |
| a. The Varieties in Genres of His Works | 第13页 |
| b. The Varieties in Themes of His Works | 第13-14页 |
| c. The Varieties in His Writing Skills | 第14-15页 |
| d. The Different Occupations He Has Taken | 第15页 |
| B. England, England | 第15-17页 |
| 1. The Summary of the Novel | 第15页 |
| 2. Literature Review on the Novel | 第15-17页 |
| Ⅱ. The Theoretical Basis ofthe Thesis | 第17-27页 |
| A. Lacan’s Theories Used in the Thesis | 第17-26页 |
| 1. The Mirror Stage | 第17-20页 |
| 2. The Imaginary Order and the Symbolic Order | 第20-23页 |
| 3. The Ideal–Ego and the Ego-Ideal | 第23-24页 |
| 4. The Other and the other | 第24页 |
| 5. The Gaze of the Other | 第24-25页 |
| 6. Castration and Phallus | 第25-26页 |
| B. The Revelation of Lacan for Feminism | 第26-27页 |
| Ⅲ. Martha Cochrane in the Mirror Stage | 第27-32页 |
| A. The Lost of Self | 第27-28页 |
| B. The Sexuality Relations | 第28-30页 |
| C. The Aggressiveness in Martha’s Love | 第30-32页 |
| Ⅳ. “England, England”: The Symbolic Order | 第32-38页 |
| A. The other: Sir Jack Pitman | 第33-34页 |
| B. “The Other”: “England, England” | 第34-36页 |
| C. The Failure in the Construction of a Replica England: Martha Cochrane’s Failure to Find “the Other” | 第36-38页 |
| Ⅴ. Castration and Phallus: The Oppression from the Patriarchic Society on Martha | 第38-45页 |
| A. The Function of Castration and Phallus in Forming the Self-identity | 第38-40页 |
| B. The Oppression of Castration and Phallus on Martha in the Patriarchal Society | 第40-45页 |
| Ⅵ. Conclusion | 第45-47页 |
| Bibliography | 第47-49页 |
