| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第7-9页 |
| Introduction | 第9-18页 |
| Chapter One Montage:the Achievement of Spatial Form | 第18-27页 |
| 1.1 Fast Cutting of Space-time | 第19-23页 |
| 1.2 Juxtaposition of Two Parallel Story Lines | 第23-25页 |
| 1.3 Dissolve | 第25-27页 |
| Chapter Two Imitation of Film Language | 第27-38页 |
| 2.1 Reader's Eyes as Cameras | 第27-31页 |
| 2.2 The Visual Description of Environment and Mental Activity | 第31-32页 |
| 2.3 The Cinematic Depth of Field and Composition of Picture | 第32-36页 |
| 2.4 Narration of Different Points of View | 第36-38页 |
| Chapter Three Narrative Significance of Cinematic Features in Light in August | 第38-52页 |
| 3.1 Similarities between Films and Novels | 第39-42页 |
| 3.2 Editing as a Narrative Device | 第42-43页 |
| 3.3 Time and Space in Cinema | 第43-45页 |
| 3.4 Point of View in Films | 第45-49页 |
| 3.5 Sculpting of Films | 第49-52页 |
| Conclusion | 第52-55页 |
| Works Cited | 第55-56页 |
