| 摘要 | 第1-5页 |
| Abstract | 第5-9页 |
| Chapter 1 Introduction | 第9-23页 |
| ·Brief Introduction of Margaret Atwood | 第9-11页 |
| ·Literature Review | 第11-17页 |
| ·Margaret Atwood Studies Abroad | 第12-15页 |
| ·Margaret Atwood Studies in China | 第15-17页 |
| ·Introduction of The Blind Assassin | 第17-20页 |
| ·Main Idea of The Blind Assassin | 第18-19页 |
| ·The Structure of The Blind Assassin | 第19-20页 |
| ·The Research Value, Research Methods and Frame of the Thesis | 第20-23页 |
| Chapter 2 Theories of Narrative Subject | 第23-32页 |
| ·General Introduction of Narratology | 第23-25页 |
| ·Theories on Narrative Focalization and Narrative Voice | 第25-32页 |
| ·Theory on Narrative Focalization | 第26-29页 |
| ·Theory on Narrative Voice | 第29-32页 |
| Chapter 3 Narrative Focalization and Narrative Voice in The Blind Assassin | 第32-56页 |
| ·Narrative Focalization in The Blind Assassin | 第32-43页 |
| ·First-person Experiencing Focalization | 第33-35页 |
| ·First-person Retrospective Focalization | 第35-38页 |
| ·First-person Observant Focalization | 第38-39页 |
| ·Dramatic or Cameral Focalization | 第39-42页 |
| ·Implied Author Focalization | 第42-43页 |
| ·Narrative Voice in The Blind Assassin | 第43-56页 |
| ·Personal Voice | 第44-53页 |
| ·The Heroine—Iris’ Voice | 第45-46页 |
| ·The Sibling—Laura’s Voice | 第46-48页 |
| ·The Housekeeper—Reenie’s Voice | 第48-50页 |
| ·The Sister-in-law—Winifred’s Voice | 第50-53页 |
| ·Authorial Voice | 第53-56页 |
| Chapter 4 Significance of Narrative Subject in The Blind Assassin | 第56-62页 |
| ·Significance of Narrative Focalization in The Blind Assassin | 第56-60页 |
| ·Significance of Narrative Voice in The Blind Assassin | 第60-62页 |
| Chapter 5 Conclusion | 第62-64页 |
| Bibliography | 第64-68页 |
| Papers Published During the Study for M. A. Degree | 第68-69页 |
| Acknowledgements | 第69-70页 |
