| 摘要 | 第1-8页 |
| Abstract | 第8-10页 |
| Introduction | 第10-17页 |
| ·Introduction to David Lodge and His Literary Works | 第10-12页 |
| ·Literature Review | 第12-15页 |
| ·Thesis Statement and Methodology | 第15-17页 |
| Chapter One Polyphonic Novel Theory | 第17-30页 |
| ·Introduction to Polyphonic Novels | 第17-19页 |
| ·Bakhtin's Polyphony Theory | 第19-30页 |
| ·The Chronotopic Theory: Invalidation, Paralogy and Conversion, Juxtaposition | 第22-25页 |
| ·Dialogicity: Body, Form and Spirit | 第25-27页 |
| ·Carnival Theory:Thinking Perspective Transformation and Subversion to Tradition and Authority | 第27-30页 |
| Chapter Two The Polyphonic Features in Small World | 第30-59页 |
| ·Time-Space Construction in Small World | 第30-34页 |
| ·Academic World and Industrial Civilization in Fuzzy Time | 第30-32页 |
| ·Life Montage and Character Portraits in Multi-space | 第32-34页 |
| ·Pluralistic Dialogue in Small World | 第34-48页 |
| ·Binary Opposition and Comedy Show in Small World | 第34-40页 |
| ·Theme's Binary Opposition and Comedy Show | 第35-36页 |
| ·Character's Binary Opposition and Comedy Show | 第36-38页 |
| ·Plot's Binary Opposition and Comedy Show | 第38-40页 |
| ·Narrative Structure and Style Dialogue in Small World | 第40-45页 |
| ·Synchronic Structure: Aligned Narration between Zapp and Other Characters in Converted Scenes | 第40-42页 |
| ·The Open-endedness of the Novel: Persse's Second Holy Grail Pursuit | 第42-44页 |
| ·Compound Style: Collage and Complementarity of Lecture, Radio, Poetry Style | 第44-45页 |
| ·Pluralistic Strategy and Cultural Dialogue in Small World | 第45-48页 |
| ·Subversive Intertextual Reconstruction | 第46-47页 |
| ·Equal and Tolerant Symbiotic State | 第47-48页 |
| ·Carnival Tone in Small World | 第48-59页 |
| ·Academic Solemnity in Joking Perspective | 第49-50页 |
| ·The Expressive Style with Parody | 第50-53页 |
| ·The Expressive Style with Irony | 第53-56页 |
| ·The Use of Coincidence | 第56-59页 |
| Conclusion | 第59-62页 |
| Bibliography | 第62-64页 |
| 攻读硕士学位期间发表的学术论文 | 第64-65页 |
| Acknowledgements | 第65页 |
