| 摘要(Abstract in chinese) | 第1-7页 |
| Abstract | 第7-9页 |
| Acknowledgements | 第9-11页 |
| Chapter One Introduction:the Otherworld | 第11-18页 |
| ·The author | 第11-12页 |
| ·The novel and its review | 第12-15页 |
| ·The approach adopted in this thesis and its particularities | 第15-18页 |
| Chapter Two Knowledge:Turning things Cultural | 第18-31页 |
| ·The fall of language and self-referentiality of knowledge | 第18-22页 |
| ·Jumping from the modern to the postmodern | 第22-25页 |
| ·Simulacrum,and art for consumption | 第25-31页 |
| Chapter Three Subjectivity:Psychoanalysis and Schizoanalysis | 第31-41页 |
| ·Humbert,modernity and psychoanalysis | 第31-35页 |
| ·Quilty,postmodernity and schizoanalysis | 第35-38页 |
| ·Withdrawal into the text | 第38-41页 |
| Chapter Four Text:Merging the Actual and Virtual | 第41-53页 |
| ·Coincidences | 第41-44页 |
| ·Manipulation of language | 第44-45页 |
| ·Ethics of the text | 第45-48页 |
| ·Transcendence and immanence | 第48-53页 |
| Chapter Five Conclusion:Nostalgia as the Aporia | 第53-57页 |
| Works Cited | 第57-59页 |
