| 中文摘要 | 第5-6页 |
| Abstract | 第6页 |
| Chapter One Introduction | 第8-16页 |
| 1.1 Brief Introduction to Conrad and Heart of Darkness | 第8-9页 |
| 1.2 Literature Review | 第9-13页 |
| 1.3 Binary Opposition and Its Application to Literary Criticism | 第13-16页 |
| Chapter Two Binary Oppositions in Narrative Techniques | 第16-24页 |
| 2.1 Narrator and Protagonist | 第16-19页 |
| 2.2 Fiction and Reality | 第19-21页 |
| 2.3 Vagueness and Clearness | 第21-24页 |
| Chapter Three Binary Oppositions in Colors | 第24-31页 |
| 3.1 Light and Darkness | 第24-26页 |
| 3.2 Black Objects and White Objects | 第26-31页 |
| 3.2.1 White Ivory and Black Hen | 第26-28页 |
| 3.2.2 White Sepulchre and Wild Scenery | 第28-29页 |
| 3.2.3 White Thread and Black Skin | 第29-31页 |
| Chapter Four Binary Oppositions in Characters | 第31-45页 |
| 4.1 Contrasts Within Individual Characters | 第31-36页 |
| 4.1.1 Two Kurtzs in Marlow's Eyes | 第31-34页 |
| 4.1.2 Contradictions of Marlow | 第34-36页 |
| 4.2 Contrasts Between Characters | 第36-45页 |
| 4.2.1 Kurtz and Marlow | 第36-39页 |
| 4.2.2 Men and Women | 第39-41页 |
| 4.2.3 Black People and White People | 第41-45页 |
| Chapter Five Binary Oppositions in Themes | 第45-52页 |
| 5.1 Feminism and Masculinism | 第45-46页 |
| 5.2 Good and Evil | 第46-49页 |
| 5.3 Wildness and Civilization | 第49-52页 |
| Chapter Six Conclusion | 第52-54页 |
| Bibliography | 第54-57页 |
