Abstract | 第6-7页 |
摘要 | 第8-10页 |
Abbreviations | 第10-11页 |
Introduction | 第11-26页 |
0.1 Introduction to Caryl Churchill and her historical plays | 第11-13页 |
0.2 Literature Review | 第13-20页 |
0.3 Theoretical Basis | 第20-24页 |
0.4 Framework of the Tesish | 第24-26页 |
Chapter One Fom Continuous History to Discontinuous histories | 第26-42页 |
1.1 Meeting of Tops Girls of Dfferent Periods | 第26-33页 |
1.1.1 Improvement of Fmale Self-Consciousness | 第27-30页 |
1.1.2 Recurrence of Sexual Dscriminationi | 第30-33页 |
1.2 Collage of Vctorian Life and Contemporary London Life | 第33-42页 |
1.2.1 Rejectionand Acceptanceof Homo-sex | 第33-37页 |
1.2.2 Decline of the Patriarchal System | 第37-42页 |
Chapter Two From Central History to Marginalized histories | 第42-58页 |
2.1 Voice of the Ignored Females | 第42-51页 |
2.1.1 Runaway Witches | 第43-47页 |
2.1.2 Lost Angles | 第47-51页 |
2.2 Voice of the Marginalized Males | 第51-58页 |
2.2.1 Frustrated Husband | 第51-53页 |
2.2.2 A Black Man with White Soul | 第53-58页 |
Chapter Three From Proper History to Interpreted histories | 第58-73页 |
3.1 Uncover the disguise of Class Oppression | 第59-64页 |
3.1.1 Desperate Lfie before Civil War | 第59-61页 |
3.1.2 Unrealized Democracy after Civil War | 第61-64页 |
3.2 Lift the Veil on Gender Oppression | 第64-73页 |
3.2.1 Witches without Witchcraft | 第65-68页 |
3.2.2 Unfair Judgment on Witches | 第68-73页 |
Conclusion | 第73-75页 |
Bibliography | 第75-80页 |
Acknowledgements | 第80页 |