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破碎的整体:《荒原》碎片艺术研究

摘要第5-6页
Abstract第6-7页
Abbreviation第8-11页
Introduction第11-19页
    0.1 T.S.Eliot and The Waste Land第11-13页
    0.2 Literature Review第13-17页
    0.3 The Outline of the Thesis第17-19页
Chapter 1 The Sources of T.S.Eliot's"Fragment" Consciousness第19-31页
    1.1 Fragmentary Modern Society at the Turn of the 20~(th) Century第19-23页
    1.2 "Fragment" Ideas Obtained in Philosophy,Literature and Art第23-27页
    1.3 Miserable Personal Life Experiences第27-31页
Chapter 2 The Presentation of "Fragment" in The Waste Land第31-52页
    2.1 Heterogeneity in Language第31-39页
        2.1.1 Mixture of Languages第32-33页
        2.1.2 Colloquial Speech and Literary Language第33-37页
        2.1.3 Cacophony of Sound第37-39页
    2.2 Incoherence in Content第39-46页
        2.2.1 Disintegrated Speakers第40-41页
        2.2.2 Miscellaneous Sources from Contemporaneity and Antiquity第41-44页
        2.2.3 Incompact Structure via Conage in Cross-Fade and Cut Modes第44-46页
    2.3 Fragmentation in Form第46-52页
        2.3.1 Distinctive Literary Genres第46-49页
        2.3.2 Uneven Layout第49-52页
Chapter 3 The Unification of Fragments as Redemption in The Waste land第52-68页
    3.1 A Waste Land Warning to Nihilism第53-59页
        3.1.1 The Sterility of Nature第53-55页
        3.1.2 The Fall of Man第55-59页
    3.2 A Promising Land Encouraging for Rebirth第59-68页
        3.2.1 The Awakening of Waste Landers第60-63页
        3.2.2 The Potentialities for Revival第63-68页
Conclusion第68-71页
References第71-74页
Appendix A 攻读学位期间所发表的学术论文第74-75页
Appendix B 《荒原》碎片分类示意简图第75-77页
Appendix C 详细中文摘要第77-80页
Acknowledgements第80页

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