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《染血之室与其他故事》中的哥特女性主义解读

摘要第8-9页
Abstract第9-10页
Introduction第11-22页
    0.1 Angela Carter and The Bloody Chamber and Other Stories第11-17页
    0.2 Literature Review第17-20页
    0.3 Thesis Statement第20-22页
Chapter One Theoretical Foundation第22-36页
    1.1 The Development of Gothic Novel and Female Gothic Novel第22-27页
    1.2 The Differences Between Female Gothic Novels and Gothic Novels第27-31页
    1.3 Female Gothic Theory in Literary Criticism第31-36页
Chapter Two Female Gothic Elements:The Patriarchal Oppression第36-67页
    2.1 Environmental Elements第36-46页
        2.1.1 Natural Environment:Foiling Female Hopelessness第36-43页
        2.1.2 Culture Environment:Imprisoning Female Freedom第43-46页
    2.2 Role Elements第46-57页
        2.2.1 Fathers and Paternal Figures: Cold-blooded Images第47-51页
        2.2.2 Husbands and Lovers:Violent Images第51-57页
    2.3 Image Elements第57-67页
        2.3.1 Symbolizing Female Constraint第57-62页
        2.3.2 Symbolizing Female Fate第62-67页
Chapter Three Awakening and Resistance of the Female Gothic Heroines第67-79页
    3.1 Rebellion Against Oppressions From the Fathers and Paternal Figures第67-73页
        3.1.1 Daughter:Leaving the Coward Father and Marring to the Lion第67-69页
        3.1.2 Vampire Countess: Neglecting Family Curse and Seeking Her True Love第69-70页
        3.1.3 Daughter:Refusing Her Gambler Father and Living with the Tiger第70-71页
        3.1.4 Wolf-Alice:Not Fearing of Ghoul Duke and Saving His Life第71-73页
    3.2 Rebellion Against Oppressions From theViolent Husbands and Lovers第73-79页
        3.2.1 Wife:Escaping Death and Constructing Family with a Piano-tuner第74-75页
        3.2.2 Wife:Killing Misery Husband and Living a Happy Life with Lover第75-76页
        3.2.3 Girl:Slipping Leash and Killing Erl-king第76-77页
        3.2.4 Girl:Using Virginity as Weapon and Conquering Werewolf第77-79页
Conclusion第79-81页
Notes第81-85页
Bibliography第85-87页
攻读硕士学位期间所发表的学术论文第87-89页
Acknowledgements第89页

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