| 中文摘要 | 第1-3页 |
| Abstract | 第3-5页 |
| 中文文摘 | 第5-8页 |
| Synopsis | 第8-12页 |
| Contents | 第12-13页 |
| Chapter One Introduction | 第13-23页 |
| ·Maxine Hong Kingston and Her Major Works | 第14-16页 |
| ·Basic Theories of Identity and Community | 第16-18页 |
| ·Identity-Seeking in Kingston's Works | 第18-20页 |
| ·Critical Reviews on Tripmaster Monkey and the Scope of the Dissertation | 第20-23页 |
| Chapter Two Constructing a New Hybrid Ethnic Cultural Identity of Chinese Americans | 第23-37页 |
| ·Wittman Ah Sing as a New Hybrid Ethnic Cultural Identity | 第23-27页 |
| ·The Multi-Layered Meanings of the Name Wittrnan Ah Sing | 第27-28页 |
| ·Claiming America:"His Province is America.America,His Province." | 第28-32页 |
| ·Tripmaster Monkey as a Postmodern Intertextual Story | 第32-37页 |
| Chapter Three Creating an All-Inclusive and Harmonious Chinese American Community | 第37-56页 |
| ·The Cross-Gender Narrative Voices in Tripmaster Monkey Replacing the Personal Feminist Voice in The Woman Warrior | 第38-44页 |
| ·Language Strategy in Creating the Chinese American Community | 第44-50页 |
| ·Theatrical Art as a Means of Creating the Chinese American Community | 第50-56页 |
| Chapter Four Conclusion:From the World 'I' to the World "We" | 第56-63页 |
| ·The Controversies over The Woman Warrior and the Division among Chinese Americans | 第56-58页 |
| ·Kingston's Concerns for the Constructing of a New Hybrid Ethnic Cultural Identity of Chinese Americans in Tripmaster Monkey | 第58-59页 |
| ·Kingston's Concerns for the Creating of an All-Inclusive and Harmonious Chinese American Community in Tripmaster Monkey | 第59-63页 |
| Note | 第63-64页 |
| References | 第64-68页 |
| Acknowledgements | 第68页 |
