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《公众的怒火》的狂欢化解读

摘要第5-7页
Abstract第7-8页
Introduction第11-27页
    0.1 Robert Lowell Coover and The Public Burning第11-12页
    0.2 Literature Review第12-25页
        0.2.1 Studies on The Public Burning第12-19页
            0.2.1.1 Studies on Theoretical Perspectives of the Novel第12-14页
            0.2.1.2 Studies on Characters of the Novel第14-15页
            0.2.1.3 Studies on Themes of the Novel第15-16页
            0.2.1.4 Studies on Writing Techniques of the Novel第16-19页
        0.2.2 Studies on Carnivalization第19-25页
            0.2.2.1 The Development of Carnivalization第19-22页
            0.2.2.2 The Primary Manifestations in Carnivalization第22-25页
    0.3 The Significance of This Thesis第25页
    0.4 The Structure of This Thesis第25-27页
Chapter One The Carnivalesque Characters in The Public Burning第27-41页
    1.1 Main Carnivalesque Characters第27-36页
        1.1.1 Nixon as the Clown第27-32页
        1.1.2 Uncle Sam as the Trickster第32-36页
    1.2 Anonymous Minor Fool Characters第36-40页
        1.2.1 The Moviegoer第36-38页
        1.2.2 The Old Panhandler第38-40页
    1.3 Summary第40-41页
Chapter Two The Carnivalesque Dialogism in The Public Burning第41-55页
    2.1 Great Dialogue第41-48页
        2.1.1 Dialogue about the Novel’s Structure第42-43页
        2.1.2 Dialogue about the Worldview第43-45页
        2.1.3 Dialogue between Characters’ Social Relationship第45-47页
        2.1.4 Dialogue between the Author and the Characters第47-48页
    2.2 Microdialogue第48-53页
        2.2.1 Dialogue within Characters’ Internal Monologue第48-52页
        2.2.2 Dialogue between Characters第52-53页
    2.3 Summary第53-55页
Chapter Three Carnivalesque Language in The Public Burning第55-65页
    3.1 The Application of Hybrid Genres第55-59页
    3.2 The Application of Linguistic Deviation第59-64页
    3.3 Summary第64-65页
Conclusion第65-68页
Works Cited第68-71页
攻读硕士学位期间发表的学术论文第71-72页
Acknowledgements第72页

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