ABSTRACT | 第1-15页 |
摘要 | 第15-23页 |
INTRODUCTION | 第23-49页 |
CHAPTER ONE A SURVEY OF DESIRE IN PSYCHOANALYTIC CRITICISM | 第49-79页 |
CHAPTER TWO DESIRE AND INSANITY | 第79-103页 |
Ⅰ The Tragedy of Desire: A Streetcar Named Desire | 第81-89页 |
Ⅱ The Repressed Desire and the Insanity: Suddenly Last Summer | 第89-97页 |
Ⅲ The Interaction between the Insanity and the Subjectivity: The Rose Tatoo | 第97-103页 |
CHAPTER THREE DESIRE IN HETEROSEXUALITY AND HOMOEROTICISM | 第103-127页 |
Ⅰ The Inter-textual Rivalry between D. H. Lawrence and Tennessee Williams in the Writing of Heterosexual Desire: | 第105-127页 |
Ⅰ Rise in Flame, Cried the Phoenix | 第105-116页 |
Ⅱ Tennessee Williams' Writing of Sexual Violence and Homosexual Desire: Sweet Bird of Youth and Suddenly Last Summer | 第116-127页 |
CHAPTER FOUR DESIRE AND FUGITIVE ARTISTS | 第127-151页 |
Ⅰ The Autobiographical Writing of Tennessee Williams: The Glass Menagerie | 第130-141页 |
Ⅱ Tennessee Williams' Confessional Desire and His Fugitive Artists | 第141-146页 |
Ⅲ The Interaction between Art and the Repressed Desire of Individuals | 第146-151页 |
CHAPTER FIVE DESIRE AND DEATH WISH | 第151-171页 |
Ⅰ Death Wish and the Structural Repetition: The Two-Character Play | 第152-158页 |
Ⅱ Death and the Initiatory Desire: Cat on a Hot Tin Roof | 第158-165页 |
Ⅲ A Desire for Death: The Milk Train Doesn't Stop Here Anymore | 第165-171页 |
CHAPTER SIX | 第171-199页 |
DESIRE IN THE SCHIZOPHRENIC SUBJECT | 第171-199页 |
Ⅰ Three Innovations in Tennessee Williams' Later lays: Slapstick Tragedy and In a Bar of Tokyo Hotel | 第172-177页 |
Ⅱ Later Black Comedies | 第177-183页 |
Ⅲ The Schizophrenic Desire in the Anti-heroes: Kingdom of Earth, The Red Devil Battery Sign, This Is and The Night of the Iguana | 第183-192页 |
Ⅳ The Representation of the Un-representable Desire | 第192-199页 |
CONCLUSION | 第199-203页 |
BIBLIOGRAPHY | 第203-221页 |
中文参考文献 | 第221-223页 |
ACKNOWLEDGEMENTS | 第223-225页 |
PUBLICATIONS | 第225-226页 |
学位论文评阅及答辩情况表 | 第226页 |