| 摘要 | 第1-6页 |
| Abstract | 第6-8页 |
| Introduction | 第8-16页 |
| ·Thornton Wilder and His Works | 第8-11页 |
| ·Literature Review | 第11-15页 |
| ·The Structure of the Thesis | 第15-16页 |
| Chapter 1 Defamiliarization and its Conjointness with Wilder | 第16-25页 |
| ·The Theory of Defamiliarization by Shklovsky | 第16-21页 |
| ·Discussion of Defamiliarization before Shklovsky | 第16-18页 |
| ·Shklovsky's Defamiliarization and Brecht's Alienation | 第18-21页 |
| ·Wilder's Connection with Defamiliarization | 第21-25页 |
| ·His Idiosyncratic Life | 第21-22页 |
| ·His Experimental Dramaturgy | 第22-25页 |
| Chapter 2 The American Town and "Our" Town | 第25-40页 |
| ·Characteristics Peculiar to Grover's Corners | 第25-32页 |
| ·American Traditional Values | 第26-28页 |
| ·Chinese Cultural Elements | 第28-32页 |
| ·The Allegorical Meaning of "Our" Town | 第32-40页 |
| ·The Temporal and the Timeless | 第33-35页 |
| ·The Particular and the Universal | 第35-37页 |
| ·The Meaningless and the Meaningful | 第37-40页 |
| Chapter 3 Wilder's Defamiliarization in Form | 第40-49页 |
| ·Defamiliarization in Structure | 第40-42页 |
| ·Defamiliarization in Stage Devices | 第42-49页 |
| ·Scenic Minimalism | 第42-43页 |
| ·The Roles of the Stage Manager | 第43-46页 |
| ·Sound and Lighting Effects | 第46-49页 |
| Conclusion | 第49-51页 |
| References | 第51-55页 |
| Appendix详细中文摘要 | 第55-59页 |
| Acknowledgements | 第59页 |
