| Abstract | 第1-9页 |
| 摘要 | 第9-10页 |
| Introduction | 第10-12页 |
| Chapter One Literature Review | 第12-20页 |
| ·Previous Studies on Drama from Stylistic Perspective | 第12-19页 |
| ·The Pre-stylistic Period | 第14页 |
| ·The Early Stylistic Period | 第14-15页 |
| ·The Pragmatic and Discourse Analysis Period | 第15-17页 |
| ·The Pragmastylistic Period | 第17-19页 |
| ·Previous Studies on The Little Foxes | 第19-20页 |
| Chapter Two Theoretical Framework | 第20-30页 |
| ·The Conversational Implicature | 第20-23页 |
| ·Classic Gricean Theory of Conversational Implicature | 第20-22页 |
| ·New Gricean Theory of Conversational Implicature | 第22-23页 |
| ·Turn-taking | 第23-30页 |
| ·Definition of Turn | 第23-24页 |
| ·Turn-taking Rules | 第24页 |
| ·The Process of Turn-taking | 第24-25页 |
| ·Turn-taking Patterns | 第25-26页 |
| ·Utterance Incompletor, Incompletion Marker, Pre-structuring and Space-making | 第26-30页 |
| Chapter Three A Brief Introduction to Lillian Hellman and The Little Foxes | 第30-38页 |
| ·Lillian Hellman and Her Works | 第30-33页 |
| ·A Plot Introduction of The Little Foxes | 第33-34页 |
| ·An Analysis from Female Perspective of LF as a Dramatic text | 第34-38页 |
| ·Birdie: Old Southern Standard Bearers | 第34页 |
| ·Regina: Survivor in the Industrial Society | 第34-35页 |
| ·Ben: A Vivid Representation of Capitalist in the Industrial Society | 第35-36页 |
| ·Oscar: a Representation of the Worst Aspects of Materialism and Capitalism | 第36-38页 |
| Chapter Four Analysis and Discussion of The Little Foxes | 第38-58页 |
| ·Pragmestylistic analysis | 第38-54页 |
| ·Analysis from Conversational Implicature Perspective | 第38-45页 |
| ·Analysis from Turn-taking Perspective | 第45-54页 |
| ·Major Findings | 第54-55页 |
| ·Implications for the Interpretation of Literature Text | 第55-58页 |
| ·The Feasibility of the Study | 第55-56页 |
| ·The Relevance | 第56页 |
| ·Implications for Stylistic Explorations into Dramas | 第56-58页 |
| Conclusion | 第58-60页 |
| Bibliography | 第60-62页 |
| Acknowledgements | 第62-64页 |
| Published Paper | 第64页 |
