| 摘要 | 第5-6页 |
| Abstract | 第6页 |
| Chapter One Introduction | 第9-11页 |
| Chapter Two Intertextuality:Means Towards the Demythologization | 第11-15页 |
| 2.1 Theoratical Basis of Intertextuality | 第11-12页 |
| 2.2 Intertextuality as a Means to Demythologize in Carter's Writings | 第12-13页 |
| 2.3 Three Types of Pretexts in Carter's Demythologizing Short Stories | 第13页 |
| 2.4 Carter's Understanding and Ways of Rewriting Myths | 第13-15页 |
| Chapter Three Carter's Intertextual Source Type One:The Folklore orFairy Tale | 第15-27页 |
| 3.1 The Traditional Folklore and Fairy Tale and Carter's Recreation | 第15-18页 |
| 3.1.1 The Features of Traditional versions | 第15-16页 |
| 3.1.2 Carter's New Wine in Old Bottle | 第16-18页 |
| 3.2 The Four Faces of Red Riding Hood | 第18-22页 |
| 3.2.1 The Previous Well-Known Versions | 第18-20页 |
| 3.2.2 The Company of Wolves | 第20-22页 |
| 3.3 TheBlue Beard | 第22-27页 |
| 3.3.1 The Relation Between Men and Women in "The Blood Chamber" | 第23-24页 |
| 3.3.2 The Image of Mother in the Story | 第24-27页 |
| Chapter Four Carter's Intertextual Source Type Two:The ExtantManuscripts | 第27-40页 |
| 4.1 The Original Works | 第27-28页 |
| 4.2 Carter's Inspiration from Previous Writers | 第28-35页 |
| 4.3. Carter's Masterpiece under This type | 第35-40页 |
| 4.3.1 "The Erl-King" | 第35-37页 |
| 4.3.2 Carter's Parody on Shakespeare | 第37-40页 |
| Chapter Five Intertextual Source Type Three:The Legend as History | 第40-47页 |
| 5.1 The Problematization of History | 第40-41页 |
| 5.2 The Fetishized Figures | 第41-43页 |
| 5.3 Carter's Reconstruction of"Black Venus" | 第43-47页 |
| Chapter Six Conclusion | 第47-49页 |
| Bibliography | 第49-51页 |
| Acknowledgements | 第51-52页 |
| 个人简历 | 第52-53页 |
| 发表的学术论文 | 第53页 |
