| 中文摘要 | 第1-5页 |
| ABSTRACT | 第5-8页 |
| CHAPTER ONE INTRODUCTION | 第8-13页 |
| ·MOTIVATION OF THE PRESENT STUDY | 第8-9页 |
| ·THE CONCEPT AND CRITERIA OF ICONICITY | 第9-10页 |
| ·THE NATURE OF THE STUDY AND ICONICITY | 第10-11页 |
| ·METHODS | 第11页 |
| ·THE AIMS AND HYPOTHESES OF THE PRESENT STUDY | 第11-12页 |
| ·LAYOUT AND SCOPE OF THE STUDY | 第12-13页 |
| CHAPTER TWO LITERATURE REVIEW | 第13-22页 |
| ·INTRODUCTION | 第13页 |
| ·ICONICITY STUDIES IN LANGUAGE | 第13-18页 |
| ·LITERATURE REVIEW OF THE STREAM OF CONSCIOUSNESS NOVEL STUDIES | 第18-21页 |
| ·CONCLUSION | 第21-22页 |
| CHAPTER THREE THE APPLICATION OF ICONICITY IN ULYSSES | 第22-48页 |
| ·INTRODUCTION | 第22页 |
| ·FROM THE PHONOLOGICAL VIEW | 第22-24页 |
| ·FROM THE MORPHOLOGCAL VIEW | 第24-28页 |
| ·FROM THE SYNTACTIC VIEW | 第28-45页 |
| ·The Principle of Distance Iconicity | 第29-37页 |
| ·The Principle of Order Iconicity | 第37-40页 |
| ·The Principle of Quantity Iconicity | 第40-44页 |
| ·The Principle of Markedness Iconicity | 第44-45页 |
| ·FROM THE TEXUAL VIEW | 第45-48页 |
| CHAPTER FOUR CONTRASTIVE ANALYSIS | 第48-52页 |
| ·THE DIFFERENCES AND SIMILARITIES OF THE APPLICATION OF ICONICITY BETWEEN ULYSSES AND OTHER STREAM OF CONSCIOUSNESS NOVELS IN WESTERN CULTURE | 第48-51页 |
| ·The Psychological and Philosophical Bases shared in common | 第48-50页 |
| ·The Application of Iconicity in Different Novels | 第50-51页 |
| ·THE DIFFERENCES AND SIMILARITIES OF ICONICITY STUDIES IN THE STREAM OF CONSCIOUSNESS NOVEL BETWEEN WESTERN AND ESTERN CULTURE | 第51-52页 |
| CHAPTER FIVE CONCLUSIONS | 第52-54页 |
| ·FINDINGS | 第52-53页 |
| ·LIMITATIONS OF THE STUDY | 第53页 |
| ·SUGGESTIONS FOR FURTHER STUDIES IN THIS FIELD | 第53-54页 |
| ACKNOWLEDGEMENTS | 第54-55页 |
| REFERENCES | 第55-58页 |
| APPENDIX : Articles published during M.A. studies | 第58-59页 |
| 独创性声明 | 第59页 |
| 学位论文版权使用授权书 | 第59页 |
