| Acknowledgements | 第1-5页 |
| Abstract | 第5-6页 |
| 中文摘要 | 第6-8页 |
| ChapterⅠ. Introduction | 第8-18页 |
| ·Literature Review on Chinese American Literature | 第9-11页 |
| ·An Introduction to the Author and Wooden Fish Songs | 第11-14页 |
| ·Introduction to the Author | 第11-12页 |
| ·Introduction to Wooden Fish Songs | 第12-13页 |
| ·The Critical Response to Wooden Fish Songs | 第13-14页 |
| ·Theoretical Approach and the Framework of the Thesis | 第14-18页 |
| ChapterⅡ. Wooden Fish Song:A Song of Women's Hardships and Longing | 第18-31页 |
| ·The Lament of Women's Forever Waiting | 第19-22页 |
| ·The Victims of Patriarchy and Racial Discrimination | 第22-31页 |
| ·Under the Yoke of Patriarchy | 第22-26页 |
| ·The Victims of the Racial Discrimination | 第26-31页 |
| Chapter Ⅲ. The Symphony of Different Voices:the Co-existence of Different Cultures | 第31-45页 |
| ·Chinese "superstition" : Signs of Chinese Taoism and Chinese Customs | 第33-38页 |
| ·The Overwhelming Power of Christianity | 第38-40页 |
| ·The Appealing Force of African Myth and the Deconstructive Power of Black English | 第40-45页 |
| Chapter Ⅳ: The "Hybridized Fruit" and the Symbolic Meaning | 第45-52页 |
| ·The Hybrid Orange: a Successful Example of Cross-breeding | 第45-47页 |
| ·Lue Gim Gong's Pursuit of Multi-cultural Identity | 第47-52页 |
| Conclusion | 第52-54页 |
| Bibliography | 第54-57页 |
