ACKNOWLEDGEMENTS | 第5-6页 |
内容摘要 | 第6-7页 |
Abstract | 第7-8页 |
Contents | 第9-11页 |
1. Introduction | 第11-17页 |
1.1 A brief introduction to James Joyce and Dubliners | 第11-12页 |
1.2 Literature review | 第12-15页 |
1.3 Focus and structure of the thesis | 第15-17页 |
2. Loss of Self-Identity | 第17-28页 |
2.1 "The Other" under the imperialist hegemony | 第17-22页 |
2.1.1 "The Other" in economy | 第17-19页 |
2.1.2 "The Other" in ethnicity | 第19-21页 |
2.1.3 "The Other" in culture | 第21-22页 |
2.2 Voiceless subaltern | 第22-24页 |
2.2.1 Failure to speak | 第22-23页 |
2.2.2 Reasons for the loss of voice | 第23-24页 |
2.3 Castrated men | 第24-28页 |
2.3.1 Feminized men before English power | 第24-26页 |
2.3.2 Effeminate men before Irish women | 第26-28页 |
3. Awakening to Self-identity | 第28-36页 |
3.1 Ways to the awareness of self-identity | 第28-34页 |
3.1.1 Through the mirror of Orientalism | 第28-30页 |
3.1.2 Through the retrospection of anglicized men | 第30-32页 |
3.1.3 Through the epiphany of the lickspits | 第32-34页 |
3.2 Influence of the awareness of self-identity | 第34-36页 |
3.2.1 Destruction of the myth of the British Empire | 第34页 |
3.2.2 Recognition of Irish national identity | 第34-36页 |
4. Search for self-identity | 第36-44页 |
4.1 From "the Other" to hegemonic discourse disrupter | 第36-41页 |
4.1.1 From "femininity" to "masculinity" | 第36-38页 |
4.1.2 Language as a weapon of resistance | 第38-40页 |
4.1.3 Finding subversive power in music | 第40-41页 |
4.2 Toward a hybrid identity | 第41-44页 |
5. Conclusion | 第44-46页 |
Biblioraphy | 第46-48页 |