| Abstract (in English) | 第4-5页 |
| Abstract (in Chinese) | 第6-9页 |
| Introduction | 第9-25页 |
| 1. An introduction to Conan Doyle and His Works | 第9-11页 |
| 2. Literature Review | 第11-23页 |
| 2.1 Research Background | 第11-12页 |
| 2.2 Reviews on Text and Theory | 第12-14页 |
| 2.3 Reviews on International and Domestic Studies | 第14-23页 |
| 3. Objectives and Significance of this Thesis | 第23-25页 |
| Chapter One The Theory of Forensic Science | 第25-41页 |
| 1.1 Origins and Development | 第25-26页 |
| 1.1.1 Detective | 第25页 |
| 1.1.2 Crime Scene | 第25-26页 |
| 1.2 Main Methods | 第26-40页 |
| 1.2.1 Pictures | 第26-31页 |
| 1.2.1.1 The Panorama of Photography behind the Story | 第26-29页 |
| 1.2.1.2 Portraiture to Testify in Sherlock Holmes era | 第29-31页 |
| 1.2.2 Blood | 第31-35页 |
| 1.2.2.1 Identity Revelation in the Red Liquid | 第31-34页 |
| 1.2.2.2 Medical Progressions as Curtain behind the Stories | 第34-35页 |
| 1.2.3 Traces | 第35-40页 |
| 1.2.3.1 Graceful“Signatures”Left by Criminals | 第35-38页 |
| 1.2.3.2 The Dominance of nationalism over Great Britain | 第38-40页 |
| 1.3 Significance | 第40-41页 |
| Chapter Two Analysis of Doyle’s Stories Based on Forensic Pictures | 第41-48页 |
| 2.1 Negative Images in A Scandal of Bohemia | 第41-47页 |
| 2.1.1 Detective: The Moving Camera to Capture the Criminals | 第41-44页 |
| 2.1.2 Photos: The Representations of Weapon and Memoir | 第44-47页 |
| 2.2 Social Significance--- Guilt in Pictures | 第47-48页 |
| Chapter Three Analysis of Doyle’s Stories Based on Forensic Blood | 第48-56页 |
| 3.1 Blood in A Study in Scarlet and The Sigh of Four | 第48-53页 |
| 3.1.1 The True Identity of Sherlock Holmes | 第48-51页 |
| 3.1.2 The Real Identity of John Watson | 第51-53页 |
| 3.2 Social Significance--- A Voice in Blood | 第53-56页 |
| Chapter Four Analysis of Doyle’s Stories Based on Forensic Traces | 第56-63页 |
| 4.1 Foreignness in A Study in Scarlet | 第56-61页 |
| 4.1.1 Foreign Criminals: Symbols of Reverse Invasion | 第56-59页 |
| 4.1.2 Foreign Bodies: A Threatening Alarm by“Invaders” | 第59-61页 |
| 4.2 Social Significance--- Bad Impressions | 第61-63页 |
| Conclusion | 第63-65页 |
| Bibliography | 第65-70页 |
| Acknowledgements | 第70页 |
