| Acknowledgements | 第6-7页 |
| 摘要 | 第7-8页 |
| Abstract | 第8页 |
| Introduction | 第11-18页 |
| Chapter One: A Dutch Painting and its Gender Implications– The Professor | 第18-28页 |
| 1.1 Dutch Painting and Female Ideal | 第18-21页 |
| 1.2 A Male Narrator and Painter | 第21-28页 |
| Chapter Two: A Pre-Raphaelite Portrait and Gender Anxiety – Lady Audley’s Secret | 第28-48页 |
| 2.1 A Pre-Raphaelite Redrawing | 第28-37页 |
| 2.2 Color Scheme outside the Frame | 第37-44页 |
| 2.3 Outside the Pictorial Frame | 第44-48页 |
| Chapter Three: A Magic Portrait and Sexual Anarchy– The Picture of Dorian Gray | 第48-59页 |
| 3.1 Gender and Social Movements in the Late Victorian Era | 第49-51页 |
| 3.2 Dorian Gray’s Magic Portrait | 第51-55页 |
| 3.3 Color Scheme and Gender Implications | 第55-59页 |
| Conclusion | 第59-60页 |
| Bibliography | 第60-66页 |
