| ABSTRACT | 第1-8页 |
| 摘要 | 第8-12页 |
| Ⅰ. INTRODUCTION | 第12-27页 |
| A. An Introduction to Rushdie and Midnight’s Children | 第12-16页 |
| B. An Introduction to Cultural Identity in Postcolonial Studies | 第16-22页 |
| C. Research Status | 第22-25页 |
| D. Thesis Statement | 第25-27页 |
| Ⅱ. THE LOSS OF CULTURAL IDENTITY INMIDNIGHT’S CHILDREN | 第27-45页 |
| A. The Loss of Individual Identity | 第28-36页 |
| 1. Aadam Aziz’s Hesitation and Embarrassment in His Identity | 第29-32页 |
| 2. Absolute Transformation in Identity: from Brass Monkey to Jamila Singer | 第32-36页 |
| B. The Loss of National Identity | 第36-42页 |
| 1. The Spiritual Invasion of Western Culture | 第36-39页 |
| 2. Political Struggle of the Nation | 第39-42页 |
| C. A Summary | 第42-45页 |
| Ⅲ. THE CONSTRUCTION OF HYBRID CULTURAL IDENTITY IN“THE THIRD SPACE” IN MIDNIGHT’S CHILDREN | 第45-62页 |
| A. The Construction of Individual Cultural Identity | 第46-52页 |
| 1. Saleem Sinai’s Hybrid Identity | 第46-49页 |
| 2. Aadam Sinai’s Acceptance of Hybrid Identity | 第49-52页 |
| B. The Construction of National Cultural Identity | 第52-59页 |
| 1. The Use of Hybrid Language | 第52-56页 |
| 2. The Narration of National History against Dominant Culture | 第56-59页 |
| C. A Summary | 第59-62页 |
| Ⅳ. CONCLUSION | 第62-70页 |
| WORKS CITED | 第70-73页 |
| ACKNOWLEDGMENTS | 第73页 |
