| Abstract | 第1-7页 |
| 摘要 | 第7-8页 |
| Acknowledgements | 第8-10页 |
| Introduction | 第10-19页 |
| Chapter 1 Fairy Tales as a Genre | 第19-32页 |
| ·The Origin and Evolution of Fairy Tales | 第19-22页 |
| ·The Features of Fairy Tales | 第22-27页 |
| ·Feminist Perspective on the Fairy Tales | 第27-32页 |
| Chapter 2 Analyzing Traditional Gender Images | 第32-41页 |
| ·The Spousal Image in the Bluebeard Husband or the Prince Charming | 第33-35页 |
| ·The Sibling Image in the Helpless Girl or the Evil Stepsister | 第35-37页 |
| ·The Mother Image in the Monstrous Stepmother or the Holy Godmother | 第37-41页 |
| Chapter 3 Carter's Revisioned Gender Images | 第41-55页 |
| ·A Disobedient Wife in The Bloody Chamber | 第42-46页 |
| ·A Brave Beauty and a Timid Tiger in The Tiger's Bride | 第46-49页 |
| ·An Evil Sleeping Beauty in The Lady of the House of Love | 第49-53页 |
| ·An Alternative Little Red Riding Hood in The Company of Wolves | 第53-55页 |
| Chapter 4 Carter as a Demythologizer and "Moral Pornographer" | 第55-62页 |
| ·The Formation of Carter's Unique Feminist Perspective in the 1970s | 第55-58页 |
| ·A Demythologizer and "Moral Pornographer" | 第58-62页 |
| Conclusion | 第62-64页 |
| References | 第64-69页 |
