| Chapter 1 Introduction | 第1-13页 |
| ·An Over-all Comment | 第9-10页 |
| ·The Significance of the Thesis | 第10-11页 |
| ·The Main Structure of the Thesis | 第11-13页 |
| Chapter 2 The Age of Virginia Wooif | 第13-21页 |
| ·Social and Cultural Background | 第13-16页 |
| ·Social Background | 第13-14页 |
| ·Cultural Background | 第14-16页 |
| ·Literary Background | 第16-21页 |
| Chapter 3 Virginia Woolf and the Stream-of-Consciousness Novel | 第21-30页 |
| ·The Stream-of-consciousness Novel | 第21-25页 |
| ·Woolf's Contribution to the Stream-of-consciousness Novel | 第25-30页 |
| ·Woolf's Theory of Fiction | 第25-28页 |
| ·Woolf's Practice with the New Novel Form | 第28-30页 |
| Chapter 4 Virginia Woolf's Stream-of-Consciousness Technique in To the Lighthouse | 第30-75页 |
| ·Interior Monologue | 第30-37页 |
| ·Interior Monologue Defined | 第30-32页 |
| ·Direct and Indirect Interior Monologues | 第32-34页 |
| ·Indirect Interior Monologue in To the Lighthouse | 第34-37页 |
| ·Free Association | 第37-44页 |
| ·Three Factors That Control the Association | 第38-41页 |
| ·Free Association in To the Lighthouse | 第41-44页 |
| ·Symbolism | 第44-55页 |
| ·Framework | 第45-49页 |
| ·Characters | 第49-51页 |
| ·Lighthouse, Color and Window | 第51-55页 |
| ·Time | 第55-63页 |
| ·Psychological Concept of Time | 第55-57页 |
| ·Time-Montage in To the Lighthouse | 第57-63页 |
| ·Multiple Viewpoints | 第63-75页 |
| ·The Concept of Point of View | 第64-71页 |
| ·Multiple Viewpoints in To the Lighthouse | 第71-75页 |
| Conclusion | 第75-79页 |
| Works Cited | 第79-83页 |
