| Acknowledgements | 第1-6页 |
| Abstract | 第6-7页 |
| 中文摘要 | 第7-8页 |
| Introduction | 第8-12页 |
| Chapter One Nabokov’s Connection with the Movie | 第12-23页 |
| ·Nabokov’s Dramatic Life | 第12-14页 |
| ·Previous Study on the Cinematic Elements | 第14-17页 |
| ·Movie-consciousness Instilled in Nabokov | 第17-23页 |
| Chapter Two Nabokov’s Movie-related Literary Views | 第23-32页 |
| ·Nabokov’s Emphasis on the Detail-oriented Principle | 第23-25页 |
| ·Nabokov’s Conception of “Fairy Tale”in Literature | 第25-27页 |
| ·German Expressionism and Nabokov’s “Game Theory” | 第27-32页 |
| Chapter Three The Cinematic Elements in Laughter in the Dark and Lolita | 第32-47页 |
| ·Laugher in the Dark—a Highly Cinematic Novel | 第32-41页 |
| ·The Employment of Montage | 第33-36页 |
| ·The Frequent Cross-reference to the Cinema | 第36-41页 |
| ·The Cinematic Characters in Lolita | 第41-47页 |
| ·Humbert’s Narrative as a Camera Eye | 第42-44页 |
| ·Lolita as the Incarnation of the Hollywood Heroine | 第44-47页 |
| Conclusion | 第47-51页 |
| Bibliography | 第51-54页 |
